Hello! As you may have guessed from the name of this blog, my name is Liz and I am fascinated by song lyrics. I hope you enjoy my waxing lyrical about lyrics and about music generally. I also review albums and gigs and have interviewed several wonderful musicians. Enjoy!
I have recently written a piece for the Cuckoo Review on songs by Glasgow bands and artists, both old and new. These include some I have mentioned on this blog, including Deacon Blue, the Silencers and Eddi Reader, as well as two new bands.
I also did another piece for Cuckoo on my Top Five River Cities, if you are interested.
The Commonwealth Games have begun in one of my favourite cities - Glasgow. To celebrate, I have decided to finally write the blog post I have been intending to write for a while about the music of one of my favourite bands, Deacon Blue.
I first discovered them through a mix tape my mother used to play in the car when I was younger. The first song I remember hearing and liking is Queen of the New Year.
I have talked quite a bit about this in my Musical Royalty post, so here I will just add that it was the perfect introduction to Deacon Blue: such a happy, dance to-able song that made me keen to hear more of their music.
If it were the only Deacon Blue song I knew, I would love them for it alone, so imagine how much I love them now I have heard a whole set of equally wonderful works.
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The second song of theirs I remember becoming familiar with is Loaded.
I didn't really like this at first; I found it too negative and sad. Years later, as a teenager, I came to like it. One day my brother, now about the age I was when I first heard it, grumbled about how negative it sounded. It intrigued me that we both reacted that way at the same age.
I think children are much more in tune to the "vibe" of a song; whether it is positive or negative, perhaps because they don't really understand the lyrics, or they don't pay attention to them.
That being said, I still don't really understand Loaded's lyrics!
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When I was about ten I made an "official" list of my favourite songs. I now can't remember any but the top three. Bat Out of Hell was third, and two songs were forever grappling for first place. One was In Between Days by The Cure; the other was Your Swaying Arms by Deacon Blue.
However, when it came down to it, I think I always knew that I liked Your Swaying Arms better. I liked In Between Days as a brilliant piece of music, but I liked Your Swaying Arms for the feelings of deep love that overflowed from the words and the performance.
As a kid, I thought "Your Swaying Arms" was a pub! I knew a couple of pubs that were the Something Arms. As I've come to understand it better, I've come to love it even more. I love the lyrics so much; I would like to choose some to showcase but they are all so incredible!
I wouldn't call it my favourite song any more. It isn't that it's gone down in my esteem; it is right where it always was. It is simply that I have since heard songs I like better. But it remains probably my favourite Deacon Blue song, for its simple beauty and the sheer amount of love behind every word.
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The next song I would like to share is Chocolate Girl.
Chocolate Girl was the first song on the second side of my mother's tape and I always loved hearing those firm, confident opening bars setting the scene for the rest of the side. It is a great opening song - some just are. It is the sort you start concerts or albums with.
As a kid I liked it, but didn't see it as being in my little group of favourites. As a teenager I rediscovered it and realised that instrumentally, it is a lot better than I gave it credit for. I really love the cry of the guitar from the second chorus onwards after each line. ("So he calls her the chocolate girl (de-de-de-de), Cos he thinks she melts when he touches her (de-de-duh)").
I've really come to like it.
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Next up is When Will You (Make my Telephone Ring).
For a while when I was about twelve I saw this as my favourite song; however, I think a large part of that may have been the fact that I thought it was super-cool to like Deacon Blue. I did like the song, though.
As I've got older I've still liked it, and have realised that I can sing it decently (I hope!). One day I might do it on Karaoke or record a version.
"The wonder of it all... was you."
"I want you, in everything, in everything... in anything."
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That is the end of my "original" Deacon Blue songs; the ones I discovered as a kid. Now I am moving on to the ones I first discovered when I was maybe fifteen.
First up, probably their most famous song: Dignity.
I actually did hear this as a kid but I heard a very slow acoustic version that I didn't like. It was only as a teenager that I wondered, "What's all the Dignity fuss about? Maybe I should listen to it again," and found the actual original song. And I really love it.
I previously discussed it in 2012, and I will repeat what I said then: "Isn't that what everyone wants; dignity?"
It's what I want; it's something I'm still working on, two years later.
I'll get there.
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The penultimate song I'll be sharing is Fergus Sings the Blues.
This is not only the penultimate track on this list, it is the penultimate "old" Deacon Blue track I discovered. I have since heard their newer songs as they have come out, but Love and Regret is the only older track I heard after this one.
I was at sixth-form college when I heard Fergus, so I associate it with memories of sixth-form, which was one of the best times of my life. It is a lovely, upbeat song about travelling, and I'm so glad I found it. Deacon Blue do upbeat so well, but they also do slow and emotional beautifully.
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And that note brings us to our final song. Love and Regret.
I first discovered this on a bus journey home from sixth-form. I enjoyed the bus journeys as the college was quite a way out into the countryside and the scenery was very nice. Normally I wouldn't listen to a song for the first time on a bus, as the sound of talking makes it hard to hear it properly.
This time, for some reason, I did, and I'm glad because now whenever I hear this song I'll be rolling home again, though the cornfields, with the sky blue above me and the road wide and clear ahead.
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So, you can see how the music of Deacon Blue has shaped my life and holds valuable memories for me. Glasgow should be so proud of this incredible group. There are other Glasgow groups/artists I like such as The Silencers, The Blue Nile and Eddi Reader, but I think that ultimately, Deacon Blue are my winners. Gold medals for all the members!
Enjoy the rest of the Games.
Thanks for reading,
Liz x
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Songs: Queen of the New Year - Deacon Blue - 1989
Loaded - Deacon Blue - 1987
Your Swaying Arms - Deacon Blue - 191
Chocolate Girl - Deacon Blue - 1987
When Will You (Make my Telephone Ring) - Deacon Blue - 1987
As you may remember, I saw Pete and Maura Kennedy live in Southport in June performing a show of the songs of Nanci Griffith. I had previously seen this show in 2013. Both evenings were very enjoyable.
In June I came away with the Kennedys' live album of Nanci songs, Dance a Little Closer, and it is my great pleasure to review it for you.
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The album opens with a lively rendition of Nanci's upbeat I Wish It Would Rain. It is followed by Trouble in the Fields, which the Kennedys manage to adapt slightly, yet keep completely true to the sentiment of the original: sad but hopeful.
Next comes Across the Great Divide. I always find it so poignant and moving hearing the Kennedys perform this song, as they sang it with Nanci twenty years ago when they were her guitarist and backing singer, and it is great to see it come full circle.
It is also interesting for being the cover of a cover - the Kennedys' version of Nanci Griffith's version of a Kate Wolf song. Through its reincarnations it has managed to stay anchored firmly to the the roots of the song: a sense of loneliness, of a haunting, of coming to terms with a loss with bravery and acceptance.
Maura Kennedy's voice is always very beautiful but in this song especially, and in several others on this album, I noticed something extra in it - a deep kind of wisdom, of knowledge and sincerity, of someone who's seen many corners of the world. And so she has. It is very special to hear.
The next track is Late Night Grand Hotel, which the Kennedys previously recorded for their album Songs of the Open road. That version was nice, but this song suits being live. Maura has mentioned how important this song is to her as it reminds her of when she first started touring with Nanci. It is also a favourite of mine.
The original Late Night Grand Hotel is one of the more heavily produced Nanci tracks, so contrasts the most of any song on this album with the Kennedys' raw, emotional, acoustic trademark style.
For me, the best part of the original was the way Nanci sang the line,
"No-one ever knows the heart of anyone else,"
with such open sadness. I listened out to hear how Maura would do it, and was pleased to hear something similar in her voice.
I like how the "no"s in the chorus were held back until the end. Something I think might have been nice is for no-one to sing them on the first chorus, then Maura on her own, then Pete on his own, then both of them, rather than nobody and then both. But the way they did it still works and I prefer it to Nanci's having them all the way through.
The Kennedys also add a nice little bridge between the first chorus and second verse and an instrumental at the end, with lovely-as-ever guitar work from Pete. Overall, they did a great job on one of my favourite Nanci songs.
Their version of Lone Star State of Mind - another cover-of-a-cover - is pleasant, although I'm not too keen on the jazzy feel they have introduced. Still, it is good that they made it their own. At the very end it reverts back to folksy with some more great guitar work.
There's a Light Beyond These Woods is another song that is important to Maura as she witnessed a very emotional performance of it by Nanci which deeply moved her. She sings it beautifully; I especially like the way she sings,
"All the dreams we sang..."
I'm Not Drivin' These Wheels is a song which I liked when I was younger, which I lost, and which I spent ages trying to find again by listening to snippets of songs on Amazon.
I'm glad the Kennedys like it and identify with it as well - enough to include it not only on this album but also as their contribution on the Nanci tribute album by various artists, Trouble in the Fields, which they produced.
Their version is perfect - it keeps everything good about the original and adds some very Kennedys guitar licks. A lovely piece of musicianship.
I have sung the praises at least twice in the past of the Kennedys' version of Gulf Coast Highway, which I prefer to the original - theirs is softer, more gentle, while the original is sharper and more dramatic. The last verse, where Maura sings on her own and is then joined by Pete, is very lovely.
They then go back up-tempo with Love Wore a Halo (Back Before the War). I feel this is often neglected as a Nanci song, and it's a good one. I'm glad the Kennedys are fans. Their version live is uproarious and great to sing along to, and the recording manages to capture that fun and spirit.
We then have From a Distance. I don't really like Nanci's version of this, and I found the Kennedys' one very similar - it is probably the truest to the original of any song on the album. Still, Maura's voice is especially nice on the chorus.
Ford Econoline moves in the vein of Love Wore a Halo: wild and joyful. I get the impression from the amount of applause that it may have been the final song in the concert and I agree that it is a great note to finish a night on - so happy and fun.
The penultimate track is Love at the Five and Dime. I would really have liked this to be the ultimate track as I think it sums up all this album is about, plus it contains the line that forms the title of the album:
"Dance a little closer to me."
It's slower than Nanci's version and I like it that way - they seem to put more focus on the story and the emotion than on the melody, although the melody is there and is strong.
The final track is Hell No (I'm Not Alright). I don't want to comment on the song because I don't understand the politics behind it; even after watching the video I'm not sure what message Nanci is actually trying to give out. So I'll comment only on the musical side: the Kennedys play it well and with great enthusiasm.
This album was very enjoyable to listen to - if there are a couple of songs I wouldn't listen to regularly, it's because I dislike the original, not because the Kennedys have done anything wrong. Maura's voice is gorgeous as ever; Pete's guitar playing is sublime; the two make an amazing duo. I've said these things many times before but they never stop being true.
Overall, a lovely piece of work that is true to the person it is celebrating while incorporating the artists' own personalities, which is the best way to do a tribute.
Rating: 8/10
Song: Across the Great Divide - Nanci Griffith - 1993
In 2011 I went to the south of France with my sixth-form college, a trip that changed my life. I made a film about it, and wrote a blog post about the songs I used in the film. In 2012, I returned there and had another great trip. Again, I made a film, and in this post I will let you know the stories behind the songs I used.
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The first song I used, for the Montpellier segment of the film, is "In This City" by Iglu & Hartly.
I first discovered this song on a trip to Oxford, and I thought of it for the film as its chorus describes perfectly how I feel about Montpellier:
"And I know that down here, in this city,
That I won't disappear in this city,
I have nothing to fear in this city..."
I adore Montpellier and would love to live there some day. It is definitely my favourite city. I have even written a novel set there. It just seems to be to have its own vibe, its own air even. I find it to be a truly unique place.
I first discovered this song on a family trip to London when I was sixteen. We were driving through a very green neighbourhood with lots of trees, and now hearing the song always brings me back there. We went on to visit Hampton Court Palace, somewhere I'd dreamed of going for a long time as I was fascinated by the Tudors. It was a wonderful trip.
I rediscovered this by chance when I was making my film and tried it with the beach photos, not really expecting it to work - but it really did. So I kept it, and now I really like this part of the film - it may be my favourite part.
I did a post with a bit more about why I love this song.
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The third and final song covers Carcassonne, and is "Famille" by Jean-Jacques Goldman.
I first encountered this song when I was exploring Goldman's music - I did a post all about it. When it came to the film, this was probably the easiest song to choose: throughout the trip, the group had referred to each other as "ma deuxième famille" - "my second family." So I thought of this song right away.
Plus, it's a nice song to end the film on: it has that "ending" feel to it, but in a happy, celebratory way, rather than a sad, "it's over" kind of way.
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Overall, I really like the film. I had a limited amount of time in which to finish it - much less than I had for the first film - and I worried at the time that it wouldn't be able to match the first one. However, I think I managed it, and the music was a huge part of that.
This is a very special blog post... it is the fiftieth post on this blog!
In the very first post I did, way back in March 2011, I mentioned some of my favourite songs lyrics-wise. I decided that between this post and the next one I will listen again to these songs and and see how I feel about them now, almost a year and a half after I made that list.
I will also see if, through keeping this blog, I have discovered any other songs that deserve to join that list. I'm sure there are many! But I am looking for the very best for my lyrics hall of fame.
The first song I mentioned in that list was Can't Fight This Feeling by REO Speedwagon.
I remember when I first heard this song, it was while in the car flicking through 80s songs on the mp3 player I had at the time. It included a few 80s albums on which I wasn't sure what half the songs were because it hadn't recognised the album and just called the songs, Track 1, Track 2 etcetera. I was listening through them to see what they all were when I discovered this song, which I don't think I had heard before.
I thought it must be Candle in the Wind by Elton John. I wasn't familiar with said song at the time, and I decided this must be it as I thought I heard the line, "You're a candle in the wind". I'd also heard Candle in the Wind being hyped about and as this song was amazing, I thought this must be the song.
I turned out to be wrong on several counts. The line was, "You're a candle in the window." The song was Can't Fight This Feeling by REO Speedwagon. Candle in the Wind isn't an 80s song so probably wouldn't have been on that album anyway. And I've since heard Candle in the Wind and don't think much of it, which is a shame because I sort of want to like it.
Anyway, the bottom line is that I discovered a song that I really loved, and that I still love. Since I wrote that blog post in March last year, Can't Fight This Feeling has been featured in a TV advert in the UK for - I think - yoghurt which has a cow running along a beach dreaming of being a horse. The ad is certainly memorable, and I think that may have brought the song to a new audience as I heard one of my friends my age singing it around that time.
In July 2011, this song took on a huge new significance and poignancy to me, as I used it in the film I made of my college trip to France, and now listening to the song evokes so many amazing memories of that wonderful trip. Here is my film, in case you are interested - Can't Fight This Feeling begins about seven minutes and fifty seconds into the film.
I chose this song for the aquarium segment of the film because I could see direct links between the lyrics - les paroles in French - and some of the things that happened in the aquarium, for example the reference to the ship. I also loved the general tune and sentiment of the song, and wanted to use it as part of my record of our trip.
Now when I'm listening to the song and I get to the part where there's talking in the film, I subconsciously expect to hear that talking, and I always feel surprised when the music goes on and the talking doesn't occur! I love this song more than ever and it certainly retains its place as one of my favourite songs ♥
"It's time to bring this ship in to the shore, and throw away the oars, forever..."
"My life has been such a whirlwind since I saw you..."
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The next song on my list was The Whole of the Moon, by the Waterboys.
Well... There isn't much to say about this song, I feel. Yet there is a whole ocean of things to say... It is amazing. It is beautiful. It is perfect. It is a very, very special song to me. I love it.
I first heard it in the car - I'm pretty sure I can remember exactly which stretch of road we were driving along, and where we were going. It's the same for Can't Fight This Feeling! Not the stretch of road, but the fact that I can remember exactly where I was when I first heard both songs. Songs can be so powerful when it comes to bringing back memories attached to them.
I love the lyrics to this song - I really hope that Mike Scott, who wrote and sung the song had a particular person in mind when he wrote those lyrics. There seems to be a lot of debate over who the song was written for, but all I care about is that he wrote it from his heart and with complete love and sincerity. That is when a superficial love song becomes a beautiful, evergreen love song.
This is one of the songs I would most like to be able to sing in concert if ever I got a band together. I always envision a full orchestral arrangement with trumpets and violins and maybe even a choir to do the backing singing in the last verse.
However, such powerful lyrics as these could hold their own in sung a cappella or just spoken... you could do so much with this song, so many different arrangements, and as long as you mean the lyrics and sing them with all the love and emotion you feel for that person is in your life who saw the whole of the moon, it will be something amazing.
"I spoke about wings, you just flew.
I wondered and I guessed and I tried - you just knew.
I sighed, but you swooned,
I saw the crescent, you saw the whole of the moon."
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The third song that was on my list of top songs lyrics-wise is Romeo and Juliet by Dire Straits. As well as learning to spell their name properly - I was shocked to see, "Dire Straights" on that first post, which was swiftly corrected - I have been listening a lot to music by Dire Straits, with two particular songs being among my favourites: the aforementioned Romeo and Juliet, and Brothers in Arms.
I am planning to do a longer blog post involving Brothers in Arms soon, so for now I will just say that it is a song I have loved for a long time, and which think I can add to my lyrics hall of fame. As for Romeo and Juliet, I shared my thoughts on it as part of a blog post about love songs that I did last year, and I still love it.
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The next two songs on my list are both by Fleetwood Mac: Songbird and Sara. I adore Songbird and have sung its praises in my blog post about the amazing Christine McVie (whom I love and who is one of my greatest influences musically).
Sara is a song that has been in my head a lot recently - maybe partly because I was planning to do this blog, but I think it may also be partly to do with the fact that in one of the novels I am trying to write (my dream is to have a book published one day, and I am working on several potential novels) there is a character called Sarah.
Her naming had nothing to do with the song; it's just a name I like. But writing about her often reminds me of the song.
"Wait a minute baby, stay with me a while,
You said you'd give me light, but you never told me 'bout the fire."
I always liked this song, but never as much as some other Fleetwood Mac songs such as Gypsy, Little Lies and Say You Love Me. However, I've recently come to like it a lot more. Stevie Nicks has the knack for making a song not just a song, but an experience... something you get completely sucked in to, and when it finishes you feel as if you've come out of a cinema into daylight; like you have been absorbed in a story; in a far away place. In another universe.
The initial piano chords from Christine McVie have always reminded me of the church bells ringing out in my town, and whenever I hear them, this song comes straight to my head.
"Sara, you're the poet in my heart,
You never change, and don't you ever start."
I saw a documentary about Fleetwood Mac in which Stevie Nicks claimed that this song was written because she was having an affair with Mick Fleetwood, and then Mick Fleetwood ended up in a relationship with Stevie's friend Sara. The exact meaning of the lyrics of this song has always puzzled me, but I can feel a lot of love behind the words. I have come to really like this song - it still isn't my favourite Fleetwood Mac song by a long way but I do really like it.
I will sign off for now and in my next blog entry I will finish my list of top songs lyrics-wise; commenting on the work of Nanci Griffith, and of Ricky Ross and Deacon Blue, and I will add some more songs to the list, songs that I have discovered or rediscovered since I started my blog which I think merit a place on that list.
Thanks for reading,
Liz x
Songs: Can't Fight This Feeling - REO Speedwagon - 1984/85
Today is Tuesday - in my part of the world anyway.
The Olympic Closing Ceremony was on Sunday night, as you may well already know, and I found it very enjoyable. For me, it was definitely as good as the Opening Ceremony, if not slightly better because it was more music-based and, as you may have guessed from this blog, I love music!
The emphasis was on British music and I was very glad to see Queen, John Lennon (I'm not a massive Beatles fan, but I have to admit that they are icons of British music) and George Michael (Freedom '90 is stuck in my head now! And his second song seems to have attracted controversy, but I liked it).
I also enjoyed the performances by Emeli Sandé (how much coverage did she get these Olympics?! But she deserves the attention because she is amazing! ♥ ), Elbow and Madness.
I even liked the music by Blur and Muse, neither of whom I'm usually a fan of, because I just felt that they fitted into the ballot of music so well. Overall, it was a great show.
I was pleased that Annie Lennox featured in the show, but I wish she had sung Why, which I love. However, I understand that it's a bit too sad to have at a Ceremony which was billed as having a "party" vibe. Still, I have always loved this song.
"I may be mad, I may be blind, I may be viciously unkind, but I can still read what you're thinking.
And I fear I've said too many times that you'd be better off; besides, why can't you see this boat is sinking?"
It is a very sad, beautiful song that I was lucky enough to know from quite a young age as it was on one of the compilation tapes we used to play in our car. These tapes were also how I discovered the great band Niagara, who were supposedly often compared to Eurythmics, Annie Lennox's band.
However, I really can't see much similarity except that both groups consisted of a man and a woman, and that the woman in both groups has a distinctive, strong voice and that they both produced quite adventurous music videos. But otherwise I don't think the groups are alike at all - they each have their own unique style of music and of performing. And I like them both!
Here is one of my favourite songs from Niagara, "La vie est peut-être belle," and you can decide for yourself if they and Eurythmics are a bit alike.
I will probably do a blog entry all about the brilliant Niagara, but for now I will get back to British bands (Niagara being French) for this "Best of British" blog entry. The Closing Ceremony was a celebration of British music, and I want to celebrate British music too, in my blog.
In my opinion, you can't talk about British music without mentioning David Bowie. He has given so much to the music world over his long and wonderful career. Life on Mars was always my favourite of his songs, although I came to really like Let's Dance as well, as my family seems to possess a lot a of 80s compilation CDs that involve Let's Dance and we usually end up listening to it in the car!
I'd never seen this video, and I must say there is rather a lot of David Bowie in it, and not a lot else! It may seem a tad self-indulgent, but I don't mind because he's gorgeous as ever! But I do think that with such interesting lyrics he could have created a more elaborate video; however, maybe the point is to leave the lyrics open to the listener's interpretation. Hmm.
"Let's sway, under the moonlight, the serious moonlight..."
This makes me want to go and visit Australia ♥ It really does seem like a magical place. And I would love to experience the Aboriginal culture - at high school we did a lot of Aboriginal art and I really enjoyed it. I love discovering new ways of life and new ways of seeing the world. I've never been to Australia, but I'd love to go some day. There are many places I'd love to go and people I'd like to meet... One day I will travel the world! One day.
I am also quite fond of Modern Love by David Bowie, but now it has got stuck firmly in my head and won't go away! Still, it's a good song so I don't really mind.
Next, we have to have Rod Stewart - I was quite surprised and disappointed that he wasn't a performer at the Olympic Closing Ceremony. I would have loved for him to have sung Baby Jane - that would have got the crowd on their feet!
This is one of those songs I have loved for a long, long time and I never seem to get tired of. It is just so good! And I feel this is perhaps the best of his songs for showcasing his unique and fantastic voice. I love Rod!
Also, a bit of Dire Straits would have been great at the Closing Ceremony - my favourite songs by them have to be Brothers in Arms and Romeo and Juliet. Maybe not completely suitable for the Closing Ceremony, but amazing songs nonetheless.
I did my last blog post on Christine McVie, another wonderful British musician... She seems to have stepped out of the public eye a bit in recent years but I wish she could have been at at the Closing Ceremony... she is truly amazing and inspirational.
We have so much talent here in Britain! I am becoming quite proud to be British; seeing all the amazing musicians this country has produced (and some of the great Olympians as well, although I would rather be a musician than an athlete any day).
I have mentioned this next song on my blog already, but I have to say I think it would have been great for the Closing Ceremony: Shake it Out by Florence + the Machine.
This song would just fill that stadium so easily, and sweep everybody up in its power and emotion. It is one of those songs that means something to everyone. And perhaps she and Dizzee Rascal could have performed their version of You've Got the Love - two great British artists merging their talents, and a sure-fire crowd pleaser.
Finally, of course, I would have loved to have seen The Cure - I love The Cure, as any of my regular blog readers will know. Friday I'm in Love would have been amazing, if only the Ceremony had been on a Friday! In Between Days, Just Like Heaven, Love Cats and Close to Me would all have been good. Oh, I wish there had been a bit of Cure in that Ceremony!
But still, I can't complain, because it was brilliant and I really enjoyed it. It was a lovely night and one I will remember for a long time. The London 2012 Olympics have been sensational and I have enjoyed every minute.
I'm sad that they're over, but who knows what the next big excitement will be... Hopefully something amazing.
