Eurovision 2016: The Big 5 and Sweden

 Hello!

 Having reviewed all the music from the two semi-finals, I'm going to turn my attention to the songs of the six countries that had a fast-track pass to the final. They are the Big 5 - the UK, France, Spain, Germany and Italy - and the host nation, Sweden.

 I found this year's Big 5 showing to be very poor, with only Germany really impressing me musically, though even they were let down staging-wise. Sweden, on the other hand... Wow.

 Let's go through act by act. As always, I'll give a rating out of twenty; this is for the song first and foremost, with my comments supplying my views re vocals, performance and staging.

 UK - I must admit, this is by far the best thing we've sent for years, and the smartest: it has Eurovision written all over it. 

 However, it still isn't amazing and Joe and Jake's performance could have been better, more dynamic. I do like how Graham Norton made an appearance in one of the background photos! 14/20

 France - My mother, brother and cat liked this but I found it slightly dull.

 It's also very similar to "Moustache", France's 2014 entry, and in turn to Stromae's "Papaoutai" (to which parts of Moustache are almost identical). 

 Amir did perform with a good energy and a winning smile but the song is forgettable though, of course, it had its life prolonged after the contest by the big meme made out of Elodie Gossuin, who presented France's votes, attempting to sing it. 

 I think she was sweet and did her job pretty well, and many spokespeople reference their country's song. Anyway, "J'ai cherché" is okay but nothing special. 10/20

 Spain - This song appears to be massive in Spain and, while it's upbeat and easy to dance to, I don't think it's that great. I'd pretty much forgotten what it sounded like until I re-watched it. 

 What did stick in my mind was Barei's performance - she is full of life and fun and clearly didn't take the contest too seriously; she just wanted to enjoy it, and her joy was infectious. I loved her hair, too! The part where she fake-falls would have terrified me if it weren't for Graham Norton warning us!

11/20

 Germany - This is definitely the best Big 5 song - it reminds me of "Ghost" by Halsey in theme and tone. 

 Unfortunately, it was let down by the staging - the Twilight-esque backdrop looked tacky, when, done well, it could have been really effective. 

 While the singer, Jamie-Lee, has a right to dress to suit her personality, I felt it was way over-the-top and it made it hard to take her seriously. It was a shame, as the song was really very good. 16/20

 Italy - I couldn't remember any of this before re-watching! The song's okay, but not really Eurovision and the staging was odd in the extreme, though at least that was memorable: all the random things on sticks. 

 The cartoon-y after-effects - the ripples, stars etc that appeared to be drawn across the screen - were actually quite pretty. Normally any heavy effects of that kind in Eurovision annoy me as I think we should just see what's on stage, but these ones added a bit of umph to a dull performance. 8/20

 Now, from the rather ridiculous to the sublime, and to the song I voted for myself.

 Sweden - The first time I heard this properly was the final and I was struck by how Nate Ruess it was, in both style and vocals! I liked the understated performance and staging and found it hard to believe Frans was only seventeen, he had such presence and power.

 I voted for Sweden, but it was only later that I went from liking the song to loving it. A lot of people have compared it to "Catch and Release" by Matt Simons. 

 There is a resemblance, but not too much of one. I like both songs but prefer Frans and "If I Were Sorry". 18/20

 So, that was the Big 5 and Sweden. Watch this space for my post about the final - and expect plenty of gushing about the wonders of Petra and Måns!

 Thanks for reading!

 Liz x

Jonas Kaufmann: An Evening With Puccini

 Hello!

Photo: Gregor Hohenberg - The Telegraph

 My parents are huge fans of German tenor Jonas Kaufmann and his concert DVD You Mean the World to Me is often played in our house. Although until a few nights ago I was not too familiar with opera, I could tell his voice was amazing.

 So when last week Arts Alliance asked if I would like to see his new film, An Evening With Puccini, I was of course delighted. It was to be shown at, among many other places, the Odeon in the Printworks, Manchester, which was handy for me.

 Chinese New Year having just gone, Manchester city centre was a sea of red lanterns, setting the scene for an exotic and exciting night. I navigated the maze of escalators in the Odeon and settled down, ready to be enchanted.

 Before the concert we were treated to a brief interview between Kaufmann and Clemency Burton-Hill, in which the tenor explained how he chose to devote an evening to Puccini as the latter was so expert in conjuring up and playing with human emotion. They also hinted at a surprise to come.

 The film proper begins with Jonas striding purposefully through Milan to dramatic music, which could have been very cheesy but somehow works. He arrives at the La Scala opera house and is visually moved by its golden majesty, charged atmosphere and six levels of seating.

 He introduces the conductor, Jochen Rieder. The amiability and mutual respect between the two men is one of the strongest elements of the film. We meet the orchestra, who play a prelude, over which Jonas tells the life of Puccini. His love for the composer is very evident.

 Kaufmann then walks on-stage to rapture from the audience and performs his first aria. His voice is strong and confident, his acting solid and his joy at telling the story, of sharing something he loves, is radiant.

 The show proceeds fairly methodically: the orchestra will perform an instrumental piece, then Kaufmann will take the stage and perform an aria, then there will be another instrumental and another aria. However, methodical as it is, the evening feels very natural and rings with emotion.

 A range of operas are covered, with pieces from Manon Lescaut, Tosca, Madama Butterfly and La fanciulla del West.

 Of course, he has to end with Nessun dorma, which he performs with gusto. Having heard it many times, I was pleasantly surprised that his version made me feel something I hadn't previously. On the last notes of "I will win", I felt such a power and determination coming from his voice, from him, that it filled me with hope and the idea that maybe I could win, too.

 Finally, of course, come the numerous encores including the surprise hinted at earlier. While I won't spoil it, I will say I'm glad that it was left in the film and that instead of putting Kaufmann off as it could well have done, he embraced it and made it work in quite a positive way.

 The film ended quite abruptly but left me feeling like I had been transported to another place and time - to the point where on my way out, I honestly kept having to remind myself I was in Manchester and not Milan.

 It was a unique experience which has inspired me to watch and listen to more opera and to see more event cinema.

 Thanks for reading,

 Liz x

Review: The Kennedys - Dance a Little Closer

 Hello!

 As you may remember, I saw Pete and Maura Kennedy live in Southport in June performing a show of the songs of Nanci Griffith. I had previously seen this show in 2013. Both evenings were very enjoyable.

 In June I came away with the Kennedys' live album of Nanci songs, Dance a Little Closer, and it is my great pleasure to review it for you.

***

 The album opens with a lively rendition of Nanci's upbeat I Wish It Would Rain. It is followed by Trouble in the Fields, which the Kennedys manage to adapt slightly, yet keep completely true to the sentiment of the original: sad but hopeful.

 Next comes Across the Great Divide. I always find it so poignant and moving hearing the Kennedys perform this song, as they sang it with Nanci twenty years ago when they were her guitarist and backing singer, and it is great to see it come full circle.

 It is also interesting for being the cover of a cover - the Kennedys' version of Nanci Griffith's version of a Kate Wolf song. Through its reincarnations it has managed to stay anchored firmly to the the roots of the song: a sense of loneliness, of a haunting, of coming to terms with a loss with bravery and acceptance.

 Maura Kennedy's voice is always very beautiful but in this song especially, and in several others on this album, I noticed something extra in it - a deep kind of wisdom, of knowledge and sincerity, of someone who's seen many corners of the world. And so she has. It is very special to hear.

 The next track is Late Night Grand Hotel, which the Kennedys previously recorded for their album Songs of the Open road. That version was nice, but this song suits being live. Maura has mentioned how important this song is to her as it reminds her of when she first started touring with Nanci. It is also a favourite of mine.

 The original Late Night Grand Hotel is one of the more heavily produced Nanci tracks, so contrasts the most of any song on this album with the Kennedys' raw, emotional, acoustic trademark style.

 For me, the best part of the original was the way Nanci sang the line,

"No-one ever knows the heart of anyone else,"

 with such open sadness. I listened out to hear how Maura would do it, and was pleased to hear something similar in her voice.

 I like how the "no"s in the chorus were held back until the end. Something I think might have been nice is for no-one to sing them on the first chorus, then Maura on her own, then Pete on his own, then both of them, rather than nobody and then both. But the way they did it still works and I prefer it to Nanci's having them all the way through.

 The Kennedys also add a nice little bridge between the first chorus and second verse and an instrumental at the end, with lovely-as-ever guitar work from Pete. Overall, they did a great job on one of my favourite Nanci songs.

 Their version of Lone Star State of Mind - another cover-of-a-cover - is pleasant, although I'm not too keen on the jazzy feel they have introduced. Still, it is good that they made it their own. At the very end it reverts back to folksy with some more great guitar work.

 There's a Light Beyond These Woods is another song that is important to Maura as she witnessed a very emotional performance of it by Nanci which deeply moved her. She sings it beautifully; I especially like the way she sings,

"All the dreams we sang..."

 I'm Not Drivin' These Wheels is a song which I liked when I was younger, which I lost, and which I spent ages trying to find again by listening to snippets of songs on Amazon.

 I'm glad the Kennedys like it and identify with it as well - enough to include it not only on this album but also as their contribution on the Nanci tribute album by various artists, Trouble in the Fields, which they produced.

 Their version is perfect - it keeps everything good about the original and adds some very Kennedys guitar licks. A lovely piece of musicianship.

 I have sung the praises at least twice in the past of the Kennedys' version of Gulf Coast Highway, which I prefer to the original - theirs is softer, more gentle, while the original is sharper and more dramatic. The last verse, where Maura sings on her own and is then joined by Pete, is very lovely.

 They then go back up-tempo with Love Wore a Halo (Back Before the War). I feel this is often neglected as a Nanci song, and it's a good one. I'm glad the Kennedys are fans. Their version live is uproarious and great to sing along to, and the recording manages to capture that fun and spirit.

 We then have From a Distance. I don't really like Nanci's version of this, and I found the Kennedys' one very similar - it is probably the truest to the original of any song on the album. Still, Maura's voice is especially nice on the chorus.

 Ford Econoline moves in the vein of Love Wore a Halo: wild and joyful. I get the impression from the amount of applause that it may have been the final song in the concert and I agree that it is a great note to finish a night on - so happy and fun.

 The penultimate track is Love at the Five and Dime. I would really have liked this to be the ultimate track as I think it sums up all this album is about, plus it contains the line that forms the title of the album:

"Dance a little closer to me."

 It's slower than Nanci's version and I like it that way - they seem to put more focus on the story and the emotion than on the melody, although the melody is there and is strong.

 The final track is Hell No (I'm Not Alright). I don't want to comment on the song because I don't understand the politics behind it; even after watching the video I'm not sure what message Nanci is actually trying to give out. So I'll comment only on the musical side: the Kennedys play it well and with great enthusiasm.

 This album was very enjoyable to listen to - if there are a couple of songs I wouldn't listen to regularly, it's because I dislike the original, not because the Kennedys have done anything wrong. Maura's voice is gorgeous as ever; Pete's guitar playing is sublime; the two make an amazing duo. I've said these things many times before but they never stop being true.

 Overall, a lovely piece of work that is true to the person it is celebrating while incorporating the artists' own personalities, which is the best way to do a tribute.

 Rating: 8/10

Song: Across the Great Divide - Nanci Griffith - 1993

 More Kennedys pieces:

Amazing news and the Kennedys
Review: The Kennedys - Closer Than You Know
Interview with the Kennedys
A night with the Kennedys
A special night in Southport
A few more JSC songs
A magical evening

 Wow, I've written a lot about the Kennedys!

 Thanks for reading,

 Liz x

Review: Edwina Hayes - Pour Me a Drink

 Hello, readers!

 You may remember that I have been to two Nanci Griffith tribute concerts in Southport - one in 2013 and one in 2014. Both times, Edwina Hayes was present and I had the privilege of hearing her beautiful and unique voice. Both times, I also met her - last time, I literally ran into her - and she was lovely.

 So, it is a great pleasure to be able to listen to and review her album Pour Me a Drink. Released in 2008, it is Edwina's second solo album.

 I must begin by commenting on its beautiful artwork: it is incredibly pretty and I feel that the blossoms decorating both the cover and some of the inside pages of the sleeve represent the album really well: the songs are soft, delicate and fragile like blossoms, yet also very strong, as is a cherry tree.

 The album opens with Run, a rather dark, sad song which I personally would not have chosen as an opener but which is very good nonetheless. The next track is one of my favourites, Leave a Light on for You, which is simple but very sweet and for me is reminiscent of a Nanci Griffith song.

 Season of Love is more bluegrass and I like it, especially the chorus.Very American-sounding. Call Me flows in the same vein as Leave a Light on for You and is similarly sweet and delicate. One of several songs on the album written by Edwina alone rather than in collaboration, it is a good example of her song writing - a simple but beautiful song about a never-ending love.

 The title track, which I saw Edwina perform live in Southport, is slow and haunting and very sad. It's followed by her take on the traditional Froggie Went a Courting, which is smooth and pleasant to listen to and has a happy ending!

 Edwina's cover of Randy Newman's Feels Like Home is the first song I heard her sing, due to its use in the film version of My Sister's Keeper. It also became very important to me when I moved from one University hall of residence to another and felt much more at home in the second one. I kept playing this song in my head and I now associate it with that time.

 It is a marvel in that it manages to be smooth and very easy on the ear while being extremely raw and emotional. It is probably still my absolute favourite of her songs, although I have discovered several new favourites on this album.

 The album ends with Irish Waltz, a lovely piece that sounds genuinely like it could have been written centuries ago in Ireland unlike certain other modern pieces designed to sound so that don't. Edwina's voice is always lovely but here it is divine, and Jack McKeague's guitar work and especially his dobro work are stunning. It is a wonderful end to the album.

 I enjoyed this album. While most of the songs are quite similar in that they are simple, delicate love songs with an acoustic guitar, each one does create its own unique ambience. Edwina's guitar work is very nice and her voice is gorgeous.

 As a writer, one measure of what I think is a good song is one that I would use in a film of one of my books. I would certainly consider this for both Leave a Light on for You and Edwina's version of Feels Like Home (although the latter has already been done).

 Overall, a lovely album and one which I am sure I will listen to a great deal.

 Rating: 8/10

 Thanks for reading,

 Liz x

A magical evening

 Hello!

 Firstly, a quick bit of news on the writing front: I have had a poem published in Ink, Sweat and Tears! It's a great honour.

 Now to the real purpose of this post which is to tell you about the concert I attended in Southport on Wednesday night. You may remember I went to a Southport gig last September, and in many ways this one was similar, yet it was also completely different.

 The venue was The Atkinson; the show was Nanci Griffith tribute show Trouble in the Fields, starring Pete and Maura Kennedy and Edwina Hayes - so far, so similar to September's show. However, this evening we also had the great pleasure of the company of Grateful Fred's House Band - Grateful Fred's also organised the evening.

***

 My mother and I arrived in Southport by train and spent an interesting while searching for the venue - last time we came by car and it was a labyrinth reaching it from the station! However, we eventually found the beautiful place with its lovely fountains out the front, and climbed the stairs to the Studio.

 This was where the show last year was, and I was glad they were there again as it is a nice, cosy little space; very nicely lit and with a real ambience.

***

 The show opened with a set from Grateful Fred's House Band which I greatly enjoyed. Their haunting rendition of Ride On was certainly my highlight; it was sublime, especially the guitar work.

***

 The Kennedys then came on stage (and Maura very nicely gave me a shout-out) to play a short set of their own songs. I was pleased to hear Midnight Ghost, one of my favourites, as well as some brilliant-as-always guitar and uke work from Pete.

***

 After a short break, the Kennedys returned for the Nanci Griffith tribute set, and after several songs were joined by Edwina Hayes.

 Having two such stunning voices as Edwina's and Maura's on the same stage was always going to be very special, and they also work incredibly well together - they harmonise beautifully.

 The trio just worked so well, and I am glad someone had the idea of them performing together - it really is something incredible that feels like it was destined to happen.

 Every song was a joy, but if I had to choose a few highlights, I would have to include Gulf Coast Highway, which I had been really hoping they would do because I adored it in September. I love the original song but the Kennedys' version may well top that for me.

 Also especially memorable were their versions of Lone Star State of Mind, Late Night Grand Hotel and I'm Not Driving These Wheels.

 Finally, I was very moved by A Light Beyond These Woods, a song which is special to me and to which they truly did justice, and Across the Great Divide, which I cannot hear and see the Kennedys perform without remembering them doing so twenty years ago with Nanci on Jools Holland.

 It is so lovely how the song has stayed around for twenty years, and has continued touching hearts. I have no doubt it will be around for another twenty.

***

 The show ended with Grateful Fred's House Band joining the trio on stage and everyone playing together, and it was a truly wonderful, joyful and memorable spectacle. They worked brilliantly together - their version of Full Circle made a fabulous finale.

***

 After the show I ran into Edwina who was absolutely lovely and then I had nice chats with both Kennedys. 

 I have mentioned many times before how down-to-earth and friendly Pete and Maura are, but I feel I should mention it again. It is very rarely that you come across two people who are so successful and popular, yet are willing to chat and laugh and mingle with their fans - who are not just willing, in fact, but seem to take huge pleasure in doing so.

 I came away with Edwina's album Pour Me a Drink, featuring Feels Like Home, a song with great emotional significance for me, as well as the Kennedys' Dance a Little Closer: a live album of them performing Nanci songs. I hope to post reviews of both on this blog in due course.

 As my mother and I rushed to the train station through the dark night with its light, misty rain and cool wind, I felt very, very happy - and I felt even more so when, sitting on the train, I discovered the lovely things the Kennedys and Edwina had written on my signed albums.

***

 Thank you to everyone involved in this night, it really was a night in a million.

 Thanks for reading,

 Liz x

 PS. If you like the Kennedys or want to learn more about them, I have done an interview with them, an album review and a write-up of a show of their own songs they did in the UK last June.

Song: Across the Great Divide - Nanci Griffith - 1993

Joni Mitchell

 Hello, dear readers!

 For a while I have been intending to do a Joni Mitchell post, but have only just got around to it. I've been pretty busy recently. Anyway, here is what I have to say about a very talented singer and songwriter.

***

 The first Joni song I will have heard is Blue, because it is on Girls and Guitars, a compilation album I listened to a lot when I was younger. I wasn't a fan of the song, however, and years later when I properly discovered Joni, I didn't remember it being her song; ie, I probably never knew the name of the singer of Blue.

 So my real first Joni song was Coyote - the version from The Last Waltz.

 My family obtained a copy of the famous concert film when I was about eight and since then it was a fixture in my childhood. We watched it many times; one particularly memorable occasion was when we were on holiday in the Lake District and watched it in our little cabin overlooking beautiful countryside.

 After watching the film through, each family member would pick our favourite act to watch again, and my request was always Joni. I liked the song, but what I loved was the presentation: it was so simple, yet mesmerising.

 A few years ago I heard the recorded version of Coyote, and I much prefer the Last Waltz one - it's much more fluid and organic. But then, the Last Waltz seemed to have that effect on songs: I also much prefer the Last Waltz version of Bob Dylan's Forever Young to the album version.

 I used to vow that if I ever learned to play guitar well enough I would perform this song. Sadly, my knowledge of guitar is still quite basic. One day...

***

 When I was fourteen I did some work experience at my local hospital. I heard Amy Grant's version of Big Yellow Taxi on the radio in the cardiology unit. It annoyed me because I knew I knew the song, but couldn't place it. 

 I eventually got it, and remembered hearing it for the first time not long before, on the radio in the car on the way to school. My dad was driving me, and he challenged me to identify the singer and the writer. I didn't get either. 

 When he told me, the name Amy Grant meant nothing to me, but I wasn't surprised to hear Joni's name - although I had only heard a couple of her songs, I could easily envisage her singing this one.

 So when I worked out what the song I heard in the hospital was, I looked up both Amy's and Joni's versions and enjoyed them both (and observed that Amy looked like Elaine from Seinfeld). I later became a big fan of Amy's song Baby, Baby, and blogged about it.

 Here they are, the two versions:

 I still bop along to this song in my head: it has a good beat, despite having such sad lyrics.

***

 The final Joni song I want to share is This Flight Tonight. I first heard the Nazareth version and somehow found out that Joni had written the original. 

 I found her version and on the first listening I observed that it was quite dark and strange, and very Joni-ish, and that I wasn't too keen on it, yet I also somehow knew that it would grow on me.

 Now I never listen to the Nazareth version - not that I don't like it; I just don't have any strong feelings towards it - and I often listen to the Joni one.

***

 So, there you have it: three Joni Mitchell songs. I have listened to others, but this trio remain my favourites, because they are great songs, and also because of the memories they evoke.

 I hope you have enjoyed this post,

 Thanks for reading,

 Liz x

Songs: Coyote - Joni Mitchell - 1976

Big Yellow Taxi - Amy Grant - 1995

Big Yellow Taxi - Joni Mitchell - 1970

This Flight Tonight - Joni Mitchell - 1971

Eurovision 2014: My two winners

 Hello, everyone!

The Calm After the Storm (photo by me)

 It's now been a week since Eurovision, and I'm pleasantly surprised that no less than four of its songs are in the UK Top 40 Singles Chart.

 Calm After the Storm, the Netherlands' song, is at number 9, Rise Like a Phoenix,the winning song from Austria, is at 17, the UK's entry, Children of the Universe, is at 23 and Swedish entry Undo is at 40.

 For me, this a a brilliant sign for Eurovision; that its songs are making their way into the daily lives of British people. They aren't things to be listened to as a one-off, but something to be enjoyed and valued.

 However, I am a bit sad that Malta's entry, Coming Home, hasn't yet made the Top 40. It and Calm After the Storm were definitely my two favourites, and both received a vote from me. I'm now going to talk a bit more about these two songs and why I love them.

♥☂✿

 I will start by debauching any perception anyone may have that, as both songs are folk/country songs, I only like Eurovision songs in this style. This is untrue.

 Some of my favourite ESC songs over the years have been pop, rock or semi-opera, and there are many folksy entries that I haven't liked; Latvia's entry this year, Bake a Cake, comes to mind.

 No, the reason I like Calm After the Storm and Coming Home are that they are both great songs, independent of one another of of their musical style.

♥☂✿

 Firstly, Coming Home by Firelight.

 Before hearing the sing itself, I heard a tiny bit of this on a recap of songs and I just knew I would like it. When I heard it through, I liked it even more than I had anticipated, and it became my favourite song in the competition. I also love the video; it's very moving and relevant for the Centenary of World War I.

 Commentators in the UK compared Firelight more than once to Mumford and Sons, but I don't hear that much of a resemblance. I agree with other comparisons, though - to Gary Barlow (Let Me Go) and One Direction (Story of my Life). 

 Despite these similarities, I think this song stands alone and is much better than any of the things it's been compared to!

 I'm really glad the UK gave several points to Malta, though I wish the song had achieved a better placing by the end (it came 23rd). It's certainly a song I'll listen to again and again, long after this year's Eurovision fever has sizzled out.

♥☂✿

 Secondly, Calm After the Storm by the Common Linnets. 

 I really glad to see this reach the UK Top 10; I had had a hunch that it would do well in our charts.

 When I first heard it, I thought it was a very average country song, but pretty enough. I hoped it would do well as it was so different and would be a refreshingly different winner. 

 However, it really grew on me in the two days between its semi-final and the final, and I liked it so much in the final that it received my second vote. I now like it even more: it is a real grower.

 I was really glad to see it receive so many 10s and 12s; it's really not your typical Eurovision winner and I had worried it would be overlooked, but instead it did incredibly well, eventually coming second. 

 I hope this is the beginning of a successful international career for both members of the Common Linnets, Ilse deLange and Waylon. They are already big in their own country; in fact, Ilse is a current coach on the Dutch version of the Voice (which I've just found out was the very first version of the show!).

♥☂✿

 I wish these two bands the very best for the future, and hope they will turn out to be Eurovision success stories, like Abba and Céline Dion. Even if they don't, I doubt their wonderful Eurovision offerings will ever be forgotten. They are a pair of songs with true longevity.

 Thanks for reading,

 Liz x

♥☂✿

Songs: Coming Home - Firelight - 2014

Calm After the Storm - The Common Linnets - 2014

Remember Me This Way

 Dear readers,

 I am now on my Easter holidays! Hooray! Three weeks of relaxation before going back to University and facing my summer exams. I will do plenty of study, of course, but a lot has happened this half-semester, and it will be good to have the chance to chill out a bit.

 I would like to bring to your attention that I have set up a blog for my poetry and possibly other types of writing. It would mean a lot to me if you could have a look at it. Feel free to comment and let me know what you think.

 Finally, I thought I would share this song and clip from the film Casper. Beware of spoilers if you haven't seen the end of the film!

For anyone who doesn't want to see the clip for fear of spoilers, here is the song on its own:

 As a kid, I'd occasionally go to an activity club where they had a TV room. At least half the time, this film was showing. I saw all of it in bits and pieces, but never from beginning to end. 

 It was only a couple of years ago that I caught it on TV and was able to sit back and enjoy the whole film. It was a lot better than I remembered; I think being older allowed me to appreciate the tragedy/friendship/romance side of the film, whereas as a kid I saw it more as an adventure/mystery film.

 Anyway, I really love the dancing scene. While I do like the song in its own right, I believe that being fitted with this specific scene elevates it to something incredibly beautiful and poignant. The lyrics are very simple, but work so well with the music and with the scene.

"Every now and then, we find a special friend,

Who never lets us down."

"If you lose your way, look back on yesterday,

Remember me this way.... Remember me this way."

 I hope you're well,

 Liz x

Song: Remember Me This Way - Jordan Hill - 1995

Feels Like Home

 Hello!

 There has been a fairly big development in my life, in that I have moved to a new University hall of residence.

 There were various reasons behind the move which I won't go into. What I will say is that I settled into my new hall really quickly - even on the first day I felt that I was home. This song kept playing in my head:

 That was last Wednesday - eight days ago. It feels like so much longer. I feel as though I've been living here for a long, long time. I already know a large number of the hall's residents, and I have made some wonderful friends. It's safe to say that I'm very happy here.

 Long live my new home, and may many happy times be ahead of me here.

 Thanks for reading.

 Liz x

Song: Feels Like Home - Edwina Hayes - 2008

Here and now

 Hello, my dear readers!

 I have discovered that one of my favourite artists and one of my favourite bands, both of whom were perhaps better known for their music in the 1980s/90s, have recently released new songs. They are, more specifically, Alison Moyet and Deacon Blue.

♪♫♪

 Firstly, I discovered "When I Was Your Girl" by Alison Moyet.

 What I have always loved most about Alison in her older hits such as "Is This Love?" and  "Invisible" is her amazing voice, the emotion she puts into her songs, which really feels genuine, and the good production - her records tend to be very pleasant on the ear with regards to the music as well as her voice.

 I came to this song half-expecting a belt-y ballad, and whilst it proved to be exactly that, it still quite surprised me. I think I had expected it to be looser and simpler, primarily a means of showcasing her voice, while in fact it is quite a complicated arrangement, which showcases her voice yet is also a really beautiful song with interesting lyrics and a catchy tune.

 At first listening I quite liked it, at second listening I liked it a bit more - basically it's grown on me very quickly. It's the first single from her new album "the minutes," which is set to be released in May, and from which I am looking forward to hearing more material.

 I like the video - the coastal theme provides a link back to her 1986 hit "Is This Love?" - one of my favourite songs - and they did a good job of finding a look-a-like who is also a good actress and presents the song well. 

 I was getting worried that we might not actually see the real Alison in the video, when happily she appeared. I love that unlike some artists who see a come-back as a chance to completely change their image, Alison is completely recognisable as the young woman who sang and danced about on the beach in "Is This Love?".

 And of course, her voice is amazing, as always. The emotion is clear and raw. The production is also good; I really like the instrumental particularly; it sounds like it could have come from a Cure song, which is high praise from me because I love The Cure's arrangements.

 All in all, I really love this new song; I had been doubtful as to whether it could match the sheer brilliance of some of Alison's older songs, but it is certainly one of the nicest songs I have heard in a long time. Welcome back, Alison ♥

♪♫♪

 The next song I want to share with you is Turn by Deacon Blue, from their late-2012 album, "The Hipsters."

 I heard this song on the radio a couple of days ago and quite liked it and wondered who it was by, then when the DJ announced that it was by Deacon Blue I was surprised and pleased.

 At first I liked it but thought it sounded like a lot of other songs. Having heard it a few more times, it's really growing on me and I now think it sounds quite distinctive. The video is slightly bizarre but I like it. 

 Also, assuming the backing vocals are by Lorraine McIntosh as usual, I like them on this song more than on some of Deacon Blue's older songs. I think they add more to this song, maybe as she is just singing rather than doing fancy things with her voice as in some other songs; perhaps the simplicity is what works particularly well here.

 I like the quieter, more lyric-based feel of this song, as opposed to some of the louder, faster material of Deacon Blue such as "Wages Day" and "Queen of the New Year" - although I still love these songs! I just think it's nice to have something more raw and stripped-back for a change, in addition to their brilliant back-catalogue.

 I like the reference to "Dignity" in the video! I predicted that the third card would say "work" and was quite pleased with myself when it turned out I was right. I also think the first guy on the bus looks like Marcus Bridgestocke... Is he Marcus Bridgestocke?

 I really like this song; it isn't my favourite Deacon Blue song - that would probably be "Your Swaying Arms" or "When Will You (Make My Telephone Ring)," but I do really like "Turn."

♪♫♪

 So, two really good new songs from an artist and a group who have been about for years; let's hope they continue producing fantastic new material for many years to come.

 Thanks for reading,

 Liz x

Songs:

When I Was Your Girl - Alison Moyet - 2013

Turn - Deacon Blue - 2012

Amazing news and the Kennedys ♥

 Hello, my wonderful readers! Bonjour! ¡Hola!

 I am very happy and excited because I got my A-Level results yesterday and I got the results I needed to go to my first-choice university! I am going to the University of Manchester! Whoooooo!

 Needless to say, I am very chuffed. But slightly scared... starting university is probably one of the biggest, most challenging things I will ever do, leaving home and learning to live by myself and become independent.

 However, I feel well up for that challenge, and will throw myself into university life. As they say, you only get out of things what you put in, and I intend to do everything I can to make my four years at university as amazing as they possibly can be ♥

 I will be studying French and Spanish, but I intend to try studying some other languages in my free time, and I will look for clubs and societies to join - hopefully there will be French and Spanish societies, as well as the chance to keep playing badminton, and maybe even do some more zumba!

 Talking of zumba, I went to a Steps-themed zumba yesterday, and it was brilliant! I enjoyed it so much - more than I had expected to. I had thought that Steps only had a few big hits, but at zumba there were lots of songs that I quite liked, and I may listen to more music by Steps from now on (and maybe do the dances)!

 I've had so many lovely messages from my family and friends congratulating me on my results and getting into Manchester Uni, and I'm so grateful and happy to have so much love and support. Knowing they will always be there for me makes me feel more confident about making the huge jump of going to Uni.

 There's a song that I had heard briefly and liked, but that recently my brother brought back to my attention and I realised I really like it. (And now it's stuck in my head.) It's Express Yourself by Labrinth. Give it a listen if you haven't already. Here is a video my brother made with the song which I prefer to the official video.

 Also, in honour of me starting Uni I have to share one of the most hopeful, beautiful songs I know: Life Is Large by the Kennedys; Pete and Maura.

 This amazingly talented pair were the opening act for Nanci Griffith when I saw her live in concert in Salford Quays for my eighteenth birthday treat earlier this year. I had heard of the Kennedys before then but I hadn't really known their music so it was great to discover them! ♥

  Photos courtesy of my mum.

 I was lucky enough to meet Pete and Maura Kennedy after the show and they were so lovely. 

 I bought their latest CD, which they very kindly signed for me, and it has a live version of Life Is Large, which is one of the most wonderful songs you will ever hear. It is simply gorgeous. The guitar playing, the vocals, the lyrics...

"We've only got one chance to walk this line;

If you should get lost or stuck in time.

Just believe this road does not end here.

How do you want to be remembered; a raging fire or a dying ember?"

 Amazing. I love the version in the video earlier in this blog post which I presume is the album version, but my favourite has to be the live one... It is just incredible. So atmospheric and intimate and emotional and direct. One of the few songs I can listen to in any mood and still enjoy completely.

 I will also share a stunning performance by the Kennedys of When I Go by Dave Carter.

  I feel like I don't even have the right to comment on something so beautiful and perfect but I must say it is the song I wish I had written. I can't say for sure but I feel there is something very Native American in the melody and lyrics and, as I have some of this in my ancestry, this song feels very close to me personally and means a lot to me. 

 It is hard to pick out one lyric to highlight because every line is beautiful, but among the ones which I found most poignant are:

"I'll send this message down the wire and hope that someone wise is listening when I go."

"...in showers of crimson rubies when I go."

"And should you glimpse my wandering form upon the borderline, between death and resurrection and the council of the pines.

Do not worry for my comfort, do not sorrow for my soul,

Or your diamond tears will rise up in the dawn sky beside me when I go."

 Truly beautiful. If I could ever write a song anywhere near as powerful and moving I would be very happy. I am not too familiar with the work of Dave Carter, but if this song is anything to go by he must have been a very, very gifted songwriter. 

 I really think the world would be a sadder, more desperate place without this song. It almost embraces death, makes it feel like something not to be afraid of. It is also a celebration of this beautiful world we live in which we often - too often - take for granted. 

 When I Go is humbling and magical and unlike any other song I have ever heard. I am so grateful to the Kennedys for bringing to my attention a song I may never have heard otherwise. 

 I hope you enjoyed my thoughts on the Kennedys. I will be off to university in September, and I have no doubt that it will be an amazing experience. It will be a journey of sorts, and you, my blog readers, will be able to take it with me as I blog at every step of the way with news and updates and - of course - plenty of brilliant music to listen to along the way.

 This is the beginning of a new chapter in my life, and I'm hoping it's going to be a good one ♥

 Hasta luego,

 Liz x

 If you enjoyed this post I recommend: Ireland, the Olympics, Snowdonia and Nanci Griffith and Mountains and memories: Nanci Griffith and Tina Turner

Songs: Express Yourself - Labrinth - 2012

Life Is Large - the Kennedys - 1996

When I Go - the Kennedys - 2003