Eurovision 2016: The sensational second semi-final

 Hello!

 Now I've given you my thoughts on the first semi-final, I'll share with you my views on the second one, which I feel was definitely the stronger of the two.

 To begin with, the hosts Måns and Petra's "That's Eurovision" performance was brilliant! When they first began I thought, "Oh no, they're going all Broadway to please the Americans even more" (with them having already announced that Justin Timberlake would perform during the final). 

 However, they weren't afraid to mock themselves and the contest and it ended up being really funny and enjoyable. Petra, as I've said before, can pull off pretty much anything.

 Now to the competing songs. I'll be using the same scoring system I did for the first semi, ie, each country will receive a mark out of 20 for the song, as well as comments regarding staging, voice and performance. Let's go!

 1) Latvia - I found the song dull but he had good stage presence. It kind of sounded like a slowed-down version of last year's Aussie entry, "Tonight Again". 10/20

 2) Poland - The lighting was nice. I don't have that much else to say about it! It was okay. I don't really get why it's a favourite. 10/20

 3) Switzerland - This was quite nice and reminded me of "Running Scared", which won for Azerbaijan a few years ago. 11/20

 4) Israel - I was pleasantly surprised by this; the singer came across as a character in interviews I'd seen but the performance was understated and quite calm. I liked the simplistic staging, along with his sparkly shirt and gloves! 12/20

 5) Belarus - Ah, the infamous wolf performance! I found there was way too much going on, making it hard to really appreciate the song. 12/20

 6) Serbia - This song had a good message, against domestic violence, but musically it was very average. 8/20

 7) Ireland - The song was okay; rather clichéd even for Eurovision. Nicky Byrne looked awkward, like he wasn't really comfortable performing it. 11/20

 8) FYR Macedonia - This was one of my favourites. The singer has a great voice - and she also seemed very tall! - and the performance was solid. The song sounded like a lot of others strung together but she pulled it off. The drummer was intense! 17/20

 9) Lithuania - Ah, the return of Donny Montell - this time without a blindfold. 

 This year's song from him - "I've been waiting for this night" - was one of the ones I felt had most potential - it's very One Direction and quite catchy - but I think this performance let it down. 16/20

 10) Australia - This is undoubtedly one of the best songs and vocalists but again, I felt something was missing from this performance. I liked the staging - minimalist but effective. 18/20

 11) Slovenia - This was very Taylor Swift; it veered between country and Europop rather oddly but kind of worked, aided by a confident, impassioned performance. 15/20

 12) Bulgaria - The grammar! "If love was a crime..." At least Frans for Sweden got the subjunctive right with "If I were sorry." This was rather boring and run-of-the-mill Eurovision but she certainly performed it with gusto. 12/20

 13) Denmark - The 15-to-1 style podia were interesting. Otherwise this was pretty clichéd; they seemed to be trying a bit too hard to be A-ha or Herreys. 10/20

 14) Ukraine - As I've said before, I'm not getting into the politics of songs. On a musical level, I found this rather slow and repetitive; however her voice is incredible and her performance was assured. 10/20

 15) Norway - Dry ice alert! People seem generally far less obsessed with dry ice these days than they were for a while a few years ago. This performance, however, had all the dry ice anyone could ever desire. The lyrics of the song are appalling - "I'll be your ice-breaker when you're stuck in frozen water"? 8/20

 16) Georgia - This had a lot of weird trippy stuff going on with the graphics and was generally quite dull. 10/20

 17) Albania - An odd but nice dress couldn't salvage a boring song. 9/20

 18) Belgium - This was like a cross between Fleur East and Kylie, transported into the 70s. The song was very enjoyable (though it sounds like so many we've heard before) and her performance was impressive, especially all the dancing. 14/20

 As mentioned earlier, I found this the better semi-final, with a good range of musical styles and some solid songs and performances. Watch this space for my blog posts about the Big 5 and Sweden, and about the grand final.

 Thanks for reading!

 Liz x

Review: Roxette - Joyride

 Hi!

 Just letting you know that my Record Reappraisal of Roxette's 1991 album Joyride has been published in The Mancunion - both in print and online. I hope you enjoy learning about this classic.

 In other news, I am back from Spain and at Uni. I'm doing some interesting modules this year and trying to do plenty of writing too, both creative and journalistic. I'll post any of it that's music-related here, so watch this space!

 All my writing, musical or otherwisde, will be posted on my writer blog, so please keep an eye on that, too!

 Thanks for reading, hope you're well.

 Liz x

The days of our lives: The songs from my first French trip film

 Bonjour!

 In my first year of sixth-form college - I was seventeen - I went to the south of France for nine days.

 It was a trip arranged by the French department at my college and by Ecole Klesse, a French language school in Montpellier. During the week we stayed with French families in Montpellier and attended the Ecole, and during the weekend we explored Carcassonne, Arles and Saintes Maries de la Mer.

 For me it was a formative experience which I feel improved my French, made me fall in love with the south of France and - cliché coming - helped me grow as a person.

 I was a volunteer for my college's TV station and I really wanted to make a film of the trip. So I did, and it can be found below.

 I want to tell you about the five songs I used in this video, and why I used them.

☀☁♥✭✈

 Firstly, Vélomoteur by Les Calamités, which is the first song playing and covers the Carcassonne part of the trip.

 Like many of my favourite French songs, I first heard Vélomoteur on the brilliant Platine 45 compilation album that my brother and I have. It was one of the last songs I discovered on it, having simply never got around to listening to it before. When I did hear it, it was shortly before the trip, and I just knew I had to use it.

 I decided to use it as my opening song as it is so upbeat and I feel it puts the viewer in a positive mood from the start.

☀☁♥✭✈

 The second song is Joyride, by Roxette.

 It covers our exploration of the city of Montpellier. 

 I chose this song whilst on the trip, as I could see ways in which I could tie the footage I already had to the song. For example, the mention of "going downtown" while my friends descended an elevator, "following the stars" for a night-time shot, and "book of wisdom" as my friends read the Montpellier newspaper.

☀☁♥✭✈

  The third song is Toi et Moi by Guillaume Grand, which I used for the segment about Arles and Saintes Maries de la Mer.

 If you can speak French then it's fairly self-explanatory: it's a song about going to the seaside and having a good time.

 It was one of the songs featured at our college's French Music Club not long before the trip, and if I remember correctly we also sang it on one of the coach journeys during the trip itself - so it was reasonably well known to the group, which is another reason why I used it.

 Finally, it's from 2010 - the film was made in 2011 - and I thought at least one song should be fairly current. So Toi et Moi it was.

☀☁♥✭✈

 Fourthly, we have Can't Fight This Feeling by REO Speedwagon, which I used for the aquarium section.

 This had been a favourite song of mine for a couple of years before the trip; it featured in my first ever post on this blog and I wrote more about it in my special fiftieth blog post.

 Around the time of the trip the song had featured on a TV ad, and as a result was fresh in people's minds; I seem to remember at least one member of the trip singing it to themself in France.

 Another reason why I thought of this song for my soundtrack is the mention of the ship and the way I could tie that in nicely with the footage of the group in a ship simulator.

 The music went with the footage even better than I had imagined, and those few seconds make up one of my favourite moments in the whole film.

☀☁♥✭✈

  The final song is These Are the Days of Our Lives by Queen, which covers the crêpe party, the zoo, salsa dancing, bowling, trams, LazerQuest, the crêpe parlour and then a general overview of the trip.

 I had heard this song a few times and quite liked it, but I only really sat down and listened to it just before making the film - maybe it was serendipity.

 I was looking idly through songs I had on my computer, shortlisting ones for the film, and saw this one and thought it might be suitable. I listened to it through and knew then it was perfect for the film - and that it was more beautiful a song than I had ever realised.

 Looking back at that final montage always makes me so happy that I had the opportunity to go on that amazing trip - and makes me want to go back to Montpellier!

☀☁♥✭✈

 
 Go back I did, the next year - and of course, I made another film, which you can watch here:

 I'm working on a blog post about the songs in this second film, so watch this space!

 I hope you enjoyed this post,

 Thanks for reading,

 Liz x

Songs: Vélomoteur - Les Calamités - 1987
Joyride - Roxette - 1991
Toi et Moi - Guillaume Grand - 2010
Can't Fight This Feeling - REO Speedwagon - 1984/5
These Are the Days of Our Lives - Queen - 1991

The Songbird from Bouth ♥

 Helloooo!

 I am potentially very chuffed because I may have found out something that, to me anyway, is amazing. I just need to check to be absolutely sure that I am right.

 On one of our Duke of Edinburgh's Award expeditions, we stopped in a Lake District village that I'm pretty sure was called Bouth. And if it is the right Bouth, it is where Christine McVie was born!

 I must have read this sometime in the past, before we went, because I love Christine McVie and have  researched her and her music many times. However, I had forgotten where she was from, and when we were in Bouth I never realised the incredible significance of the place - or, rather, the significance it should hold for me, personally, as a Christine fan.

 Even without this significance, it is still a lovely village. And the Lake District is always wonderful. But to discover that, without knowing, I visited the birthplace of one of my idols, is pretty amazing news, at least for me☺♥

 I think I mentioned Christine McVie in my very first post on this blog in which I listed some of my favourite songs, and her Songbird was among them. For a while Songbird seemed to be a staple on reality TV singing shows, and it probably still is, though I wouldn't know because I watch a lot less of that sort of thing than I used to. Life's too short! But anyway, for years I hadn't heard the original, though I knew it was by Fleetwood Mac. When I listened to it for the first time, I fell in love.

 From those first lines, 

"For you, there'll be no more crying.

For you, the sun will be shining."

 You just know that what is going to follow is something beautiful and extraordinary. This really is one of the most sincere, from-the-heart things I have ever heard - more than most songs, more even than poetry. It's like a love letter, sung with all her heart and soul. None of the other versions of this, lovely as some of them may be, can possibly capture the spirit and feeling behind the original. 

 I hadn't been absolutely sure that it was her song, so many people have sung it, so I looked it up and when it said on Wikipedia, "written by Christine McVie," my heart gave a little twinge of happiness and love. Of course it's her song. How could I have doubted that for one minute? Only Christine McVie could write a song like this one.

 I would love to be able to sing this in concert one day. If I ever become a good enough singer, and have enough confidence, to do her justice! 

 Although nobody can sing this as well as she who wrote it, I do believe this is one of those songs that anybody could sing well if they mean it with their heart and they pick out one person to whom they can sing every lyric and mean it with all their soul. It is one of the best love songs I know. And I can give no higher praise than that. 

 Christine McVie is a genius, and, almost more importantly, she writes straight from her heart. And that, when writing anything that is meant to touch the soul, is what really matters.

 And her voice! Nobody else I have ever heard has a voice quite like hers. It is so, so beautiful and rich and full of love or pain or emotion or whatever she is feeling as she sings. She is blessed, yet I imagine she has also worked hard to train that voice, and I love it so much when a natural talent is nurtured properly to make the world a better and happier and more loving place, which for me, at least, it becomes when I listen to her singing.

 Here is Over My Head, another of her songs which would probably never sound as good sung by anybody but her. It is just a Christine McVie song. It works with her voice so beautifully to create something truly magical.

 There is another nice live version I wanted to put on here but Blogger won't let me! Ah well, this version is gorgeous, taken, it would seem, from the same concert (The Dance, 1997) as the Songbird one. I wish I had been at that concert! But I was only three at the time and I didn't really get to know the music of Fleetwood Mac until I was seven or eight, when my dad bought my mum the Very Best of Fleetwood Mac compilation CD (both my parents are Fleetwood Mac fans). 

 We used to listen to that CD all the time. My brother became a Lindsey Buckingham fan. I liked Gypsy by Stevie Nicks, and I came to really like a lot of Christine McVie's songs. However, it was when I was a lot older that I began to really appreciate the beauty and emotion of her lyrics, and to realise what a gifted songwriter she is. But Over My Head was always a favourite of mine and my brother's.

 A Christine McVie song that I always liked but have recently come to love is You Make Loving Fun.

 I just wish I could sit down at a piano and play and sing this! I could never be as good as her, but it would bring me such pleasure just to play those gorgeous chords and sing those bitter-sweet lyrics. I will try and find the sheet music to this and learn it! It could be my tribute to this amazing woman. Her maiden name was Perfect, and she really is perfect in every way as a musician. 

"I never did believe in miracles, but I've a feeling it's time to try. 

I never did believe in the ways of magic, but I'm beginning to wonder why."

 I used to think it was "I've a feeling it's time to fly." Either lyric is beautiful.

 I must also share Everywhere with you - as I said to my mum just now, "You can't have a Christine McVie post without Everywhere!" It is so... her. So Christine McVie. I know that sounds silly, but I feel this song just sums up perfectly what Christine McVie is all about. It is a beautiful love song, with simple yet amazingly powerful lyrics, and she sings with such strength and pride yet such vulnerability, in a voice as stunning as ever.

 Here it is live in The Dance (with a bit of Dreams at the beginning):

 And here is the video - there is another one which is similar to this but with Christine - and, I think, the other members of Fleetwood Mac as well - appearing in silhouette at intervals. Regretfully, I can't find that version on YouTube. So here is the video sans band (it's still a great video):

 I remember feeling smug because I thought I was the only one who knew this was based on The Highwayman. Maybe I was, but I doubt that somehow! Anyhow, somebody has written about the poem on YouTube and it's the top comment as I write, so now everybody who looks at the video on YouTube knows. 

 Ah well. It's still a brilliant idea for a music video, and it really brought the poem - which I'd studied at school several times - to life for me. I just wish I could see the band's lovely faces in the video!

 The song is gorgeous, and the beginning so distinctive, as is the case with many Fleetwood Mac songs - you hear it and you know at once that it's going to be Everywhere.Then that powerful drum beat kicks in, and Christine's amazing vocals, and you sit back and are taken on a journey into a fantastic, wonderful, magical song, and into her heart and soul. It is an amazing song; a masterpiece. Along with Songbird and so many other beautiful songs Christine McVie has written during her long and hugely successful and fruitful career.

 I feel so privileged to have had the chance to listen to her amazing music for ten years or so and I hope to continue to enjoy her genius and talent and beauty for many years to come. Bouth is a lovely village, and from it came one of the best musicians of our time. I'm glad I got to visit it.

 I will leave you with probably her biggest hit, "Don't stop," one of the most upbeat, hopeful, reassuring songs I know, which is just perfect for putting you in a better mood.

 Fleetwood Mac are just amazing! And Christine McVie is a legend and should be very proud of all the beautiful, powerful, inspirational, moving songs that she has put into this world.

 Thanks for reading,

 Liz x

 If you enjoyed this post I recommend: My top songs lyrics-wise, Gorgeous song!, Alison Moyet, D of E and the Cranberries, D of E, birthdays and Lio and Jacky and The best of British!

Songs: Songbird - Fleetwood Mac - written by Christine McVie - 1977 (this live version 1997)

Over My Head - Fleetwood Mac - written by Christine McVie - 1975/76 (this live version 1997)

You Make Loving Fun - Fleetwood Mac - written by Christine McVie - 1977

Everywhere - Fleetwood Mac - written by Christine McVie - 1987/88  (live version here from 1997)

Don't Stop - Fleetwood Mac - written by Christine McVie - 1977 (this live version 1997)

Ireland, the Olympics, Snowdonia and Nanci Griffith

 Fáilte! Hello dear blog readers! I love you all!

 I apologise for not having blogged in quite a while, but I have been on holiday in Ireland and since then have been busy with a few things, such as a new project at Cornerhouse cinema/art gallery, about which I am very excited! More about that later.

 Firstly I will tell you about my trip to Ireland. It was lovely. I love Ireland; I have a lot of family who live there and have visited many times. It is a truly beautiful country and I really feel at home there. 

 We stayed in County Wexford, in the south-east of Ireland, where we spent time in the pretty little town of Wexford itself, at the beach, walking in the hills, and at Hook Head with its lighthouse - the oldest intact operational lighthouse in Ireland - and its spectacular coast with crashing blue waves, seals bobbing up and down and hundreds of tiny fossils all over the rocks.

 We then drove across Ireland to County Limerick, to the city of Limerick which is one of the largest cities in Ireland. We met up with family there and had a really nice time. Limerick is a lovely city - and it has the River Shannon running through it! I love cities with a river or a coastline. I just love being near water. 

 I also want to proudly point out that in one day we crossed the two longest rivers in Ireland - the Shannon and the Barrow. I think that's quite a cool achievement, especially when we didn't set out to do it; it just happened that they were both on our route from Wexford to Limerick.

 We watched the Olympic Opening Ceremony when we were in Ireland, and I was quite impressed. More than I had expected to be! I didn't have any prejudices, I just thought it would be impossible to match Beijing. But it was actually really good. I especially liked the beginning section with the choirs and then the industrial revolution and Kenneth Branagh. 

 I also liked the part with James Bond and the Queen, the Abide With Me section - Emeli Sandé is amazing - and the lighting of the cauldron. I think the petal idea was really good.

 I wasn't keen on Paul McCartney's appearance - I like his music but am a bit tired of him being treated like some kind of national treasure and featuring at every event like this. And the same for David Beckham! I think he's very overrated as a footballer. However, I understand he played a big part in bringing the Games to London, so I respect him for that. 

 I loved the fact that they had Tim Berners-Lee, the creator of the World Wide Web, in the ceremony. The Web really does shape the way we live in the western world in this day and age. I hadn't known he was British. Now he is a national treasure!

 On the way back from Ireland I spent some time with a good friend of mine in Wales, which was lovely. We also got to explore some of the Welsh countryside and Snowdonia. I had never been there before and it was very beautiful and striking; I would love to go back there some day. It was brilliant to see Mount Snowdon, even if most of it was shrouded in mist!

 Since getting back I have been working on a new project at Cornerhouse; I am one of a team of young curators who are curating our very own exhibition of artists' work. I did something similar in January when I was on the curation team for the exhibition Lost is Found, and I really enjoyed that, so it's lovely to have the chance to do it again.

 I have been listening to a great deal of music from the amazing Nanci Griffith. I will do a full post on her very soon, but for now here is a selection of some of her very best songs.

 I Knew Love, which is a simply stunning love song - and very sad too. I learnt the lyrics to this when I was little and used to sing it all the time.

 More than a Whisper; this is a live version which I only recently discovered and which I love. I have listened to the album version all of my life on the Last of the True Believers album (pictured below as the thumbnail for the next two songs which are also both from that album). All the images of the winter and the snow and needing to be woken up always made me think of a badger curled up asleep for the winter.

 Goin' Gone; this was one of my favourite Nanci songs, and probably my favourite from this album, when I was younger. I then went though a stage of not liking it very much, and then I started liking it again! Ah well, there's no accounting for tastes! The lighthouse imagery is a bit top-heavy, but the sentiment is very real and beautiful.

 Fly by Night is a Nanci song I didn't used to really appreciate because it is the second-last song on its album, and I used to listen to Nanci albums going to sleep, and so I'd usually be half asleep by the time this was on, and although I liked it, it never really stood out for me as a favourite. 

 I then rediscovered it years later on YouTube and realised I really love it; it is a really strong, gutsy song about someone who is not taking any nonsense any more, and I love that. The musicality is gorgeous too, as in all Nanci songs. The woman is nothing short of a genius.

 She is so fantastic; she has a beautiful, unique voice, and is a simply stunning songwriter. She is one of the best musicians I have ever known. 

 In other news, I have found out that In Your Eyes by Niamh Kavanagh was the reigning Eurovision winner when I was born, and I am very chuffed about that because I love that song.

 I'll sign off for now.

 Thanks for reading,

 Liz x

 If you enjoyed this post I recommend: My top songs lyrics-wise, Mountains and memories: Nanci Griffith and Tina Turner, The Songbird from Bouth and Amazing news and the Kennedys ♥.

Songs: I Knew Love - Nanci Griffith - 1988

More Than A Whisper - Nanci Griffith - album version released 1986, this live version released 1988

Goin' Gone - Nanci Griffith - 1986

Fly by Night - Nanci Griffith - 1986

The Joys of June

 Hello!

 This is my final blog entry of June 2012, and I have to say; this has been an amazing month for me, and I only really realised when I was writing yesterday's blog entry and looking back on all that has happened in my life in the last thirty days.

 I have Domino by Jessie J stuck in my head at the minute - not the best song in the world but quite catchy and upbeat. I heard it on the radio at work today, which is probably why it is in my head! Also My Kind of Love by Emeli Sande - I really like this song and her voice is so incredible.

 I also discovered another song today; well, I say discovered but I think I had already heard snatches of it because parts of it sounded familiar. But today was the first time I heard the song through - in fact it was on the radio twice while I was at work - and I really like it. It turned out to be Brokenhearted by Karmin.

 I must admit that, while the name rang a distant bell, I knew practically nothing about this band (or, rather, duo). However, I now fully intend to listen to more of their music and see what other material they have, and then I can decide how far I think they can make it in the charts. Judging from this song, I have high hopes for them! It has such a good beat. 

 When I first heard it I was wracking my brains trying to think who it could be - Jessie J, Pixie Lott, Lady Gaga and even X-Factor winners Little Mix came to mind, but it didn't sound quite like any of them. I was pleased to see that it was a band I didn't know; I love discovering new talent.

 I realise that I have been blogging a lot recently about newer music that is currently in the charts. However, I still spend just as much time listening to the older stuff - music that never ages. One of my all-time favourites has to be A Letter to Elise by the Cure. 

 It is twenty years old this October; I never realised until I researched it for this blog entry. Happy birthday, song!

 When I was younger, my parents used to play the Cure a lot in the car when we were travelling. I liked this song, but I preferred the flashier, louder, more upbeat songs like In Between Days and Love Cats. While I still love both those songs, I have come to really appreciate the simple beauty and poignancy and sheer emotion in A Letter to Elise, and it is now among my favourite Cure songs. 

 It is certainly, for me, the most mood-versatile Cure song - many of their other songs I have to be in a certain mood to listen to, but A Letter to Elise I will happily listen to any time. It is so perfect as a song. Four-and-a-bit minutes of sheer beauty and emotion and sincerity.

 From when I first listened to this as a child, my favourite lyrics have always been;

"Oh, Elise, it doesn't matter what you do, I know I'll never really get inside of you,

To make your eyes catch fire the way they should."

 There is so much love in that second line. I love this song. And, listening to the song more recently, I have come to really like the stanzas he speaks at the end, almost like a poem;

"Every time I try to pick it up like falling sand, 

As fast as I pick it up, it runs away from my clutching hands."

 It is such a strong image, and the narrator's sense of defeat at the end, "There's nothing else I can really do at all," is heartbreaking. 

 I love this song and I am so glad that I rediscovered it in all its beauty and brilliance. The Cure are amazing! And not remotely dreary and Gothic as some people seem to believe! Listen to some of their songs and you will see how varied their material is - they can do bouncy pop songs (Friday I'm in Love); arty, slightly bittersweet numbers like Boys Don't Cry and Close To Me; and beautiful, poetic love songs such as A Letter to Elise, Catch and Pictures of You.

 So, I will sign off for now, but I am challenging myself to write on this blog every day as is humanly possible during the month of July. There are some days where it just won't be possible because I will be away without Internet access, but whenever I can blog, I will! 

 Let July - and a very musical summer - begin!

 Thanks for reading,

 Liz x

Songs: Brokenhearted - Karmin - 2012

A Letter to Elise - The Cure - 1992 

Jean-Jacques Goldman

 Bonjour mes lecteurs!

 It's about time I did a blog entry on Jean-Jacques Goldman; after all he is one for my favourite singer/songwriters and I also owe a lot of the French I know to him!

 Firstly, if you don't speak French, please don't be put off listening to his music. There is a strong case for music being THE universal language. Whilst the lyrics are important, there is also so much of the song in the voice, the emotion, the melody and the instruments. And if you can understand the lyrics, that's a bonus, especially with Jean-Jacques Goldman because his lyrics are generally very beautiful.

 I will share with you some of my favourite Goldman songs and why I love them, and I will quote and give my translation of some of my favourite Goldman lyrics.

 I discovered this singer through my brother; and I am very grateful to him for leading me to this musical genius. It came about because my brother and I often listen to a French compilation CD we have, named "Platine 45," after the Jacky TV music show of the same name that ran in France in the 80s. The compilation contains songs of the time mainly from France but with a few British or German additions. One of the French songs is "Je Marche Seul," by Jean-Jacques Goldman.

 I had never listened to this song; I don't know why. Many of the songs on that CD I have only discovered recently, because I once had the somewhat cowardly tendency to stick to the English language songs that I understood. More recently that has changed completely and now I listen to French music as much as English; maybe more if I'm in a particularly French sort of mood.

 Anyway, at the time I discovered Jean-Jacques, I had listened to and enjoyed a few of the French songs on the CD, and then my brother suggested listening to this. I did, not expecting much because I arrogantly thought I had already sniffed out all the good songs on the CD.

 However, within a verse's worth of Je Marche Seul, I was in love. Well, maybe not quite yet, but I certainly thought it was a very good song.

 I then went away and forgot about it. Then, a bit later, I was on YouTube and I decided to find it. I did, and I enjoyed it so much I set to learning the words to it, which I managed pretty quickly. I still know them to this day.

 The first video here is the version I first saw and fell in love with. The second appears to be the official video, but I find it a bit odd. It might help if I understood Russian (if that's what language it is).

 Having discovered this, I searched YouTube for other Jean-Jacques videos, and came across several similarly up-tempo songs such as Encore Un Matin (which taught me how to form possessive pronouns in French). 

 These songs I liked, but it wasn't until I found Famille that I realised I had been missing out on the other side of Goldman; the side I would come to love so dearly. Besides the writer of catchy and powerful pop/rock songs, there is also the tender, gentle side, who writes beautiful, inspirational, moving and emotional songs. I honestly don't know now how I lived before I discovered his music.

 Famille is just stunning; so beautiful. He plays piano gorgeously, and he sings with such emotion and love. The lyrics are beautiful, although admittedly at one point not very politically correct. But the overall sentiment of this chanson is just adorable. I love it. One of those songs you can always, always listen to, and that you can listen to again and again without getting tired of it for one minute.

 From this song, I discovered On Ira, in the list of associated videos at the side on YouTube. This has become perhaps my favourite Goldman song, and even one of my favourite French songs (and I listen to a lot of French music nowadays, so that is a strong accolade!) It is just so incredibly beautiful. 

 I searched in vain for a long time to find out who the actress in this video is; eventually it transpired it is Elodie Navarre. I had thought she seemed familiar to me, and looking up Navarre I found out she was in a French film I saw a few years ago called, "Jeux d'enfants" (Love Me If You Dare seems to be the English title). That might explain the familiarity, although I don't think I can really remember her character. 

 Anyway, I think she does a really good job in this video, although I don't by any means condone rude hand gestures. But basically, I think this song is amazing.

 "Oh belle, on ira, on suivra les étoiles, et les chercheurs d'or, 

Si on en trouve, on cherchera encore!"

 "Oh my beautiful, let's go, we'll follow the stars and the gold-diggers,

And if we find them, we'll keep searching!"

 But every line of this song is amazing and so moving. It will always be one of my favourite songs in any language.

The next JJ Goldman song I came across was Au Bout de mes Rêves. 

 It is more bouncy and upbeat than the previous two songs I have highlighted, but I find it is also very beautiful and the lyrics are very good if, like me, you like analysing songs, because I find them a bit ambiguous and therefore interesting to look into, not to mention pretty and poetic. 

 Plus, the musicianship in this song is just amazing, and the song itself is so happy! It can really make you feel better if you're not in too good a mood. It makes me smile :)

 And in the second video, I think the way they put a music note in the middle of their "Melody" channel logo is quite clever. (Not very relevant, but I thought I'd mention it!)

 I then found, "Là-Bas." Need I say more? I don't think any words can do justice to such a beautiful, wonderful song. Here it is:

 The beautiful, talented woman who sings in this is called Sirima, and I think she is simply amazing. 

 So beautiful, such a good voice - and an unusual voice - and plays the part of her character in this song and video so convincingly and with such raw, tender emotion. 

 She would have been a superstar, I know it. But sadly she died two years after Là-Bas was released; murdered at the age of twenty-five. I cannot believe what a waste this was; of life, of talent; and even if she hadn't been a talented singer, ending anybody's life at twenty-five is just horrendous. 

 Although it is little consolation, at least we have this song and video to remember her by. 

 For those who can't understand the French (although I think a lot of it is illustrated well in the video) this is a song about emigration. Well, that is how it appears to me. Goldman's character ponders leaving their rural home to try to find a better life in an unknown place referred to only as "Là-Bas" - "over there." Meanwhile, Sirima, playing the role of his girlfriend/fiancée, begs him to stay because she wants to marry him and start a family. She worries that;

"N'y va pas; il y a des tempêtes et des naufrages.

Le feu, les diables, et les mirages.

Je te sais si fragile parfois,

Reste au creux de moi."

"Don't go there; there are storms and shipwrecks,

Fire, devils and mirages

I know you to be so fragile sometimes,

Stay here close to me."

 Words cannot describe how much I love this song ♥ It's almost humbling to listen to; it's so stunning and... just perfect. You couldn't ask for more in a song. This is in serious contention with On Ira for the title of my favourite JJ Goldman song. It is so beautiful.

 Also, because of the time when I discovered it and first listened to it a lot, it is connected to certain memories and sentiments for me personally. Just hearing the beat can transport me to another place and time. I hadn't anticipated this happening, but it does, and it's yet another thing to make me love this song.

 I mentioned this song and how much I liked it to my French teacher, also a Goldman fan, and she recommended that I listen to Puisque Tu Pars (Since You Left), a Goldman song on the same album as Là-Bas. I gave it a listen, and I have to admit that the first time I heard it I wasn't that keen on it. However, the second time I listened to it, I fell in love with yet another Jean-Jacques Goldman song.

 Listening to it now I can't believe I didn't realise straight away how astoundingly good it is. So beautiful and heartbreaking. The video as much as the song. Both are so simple, yet work so perfectly to convey their message, and both are so moving and can make me feel quite emotional.

 The next (and penultimate) JJG song I wanted to share with you is Il Changeait la Vie. 

 Another song that I didn't like the first time for some reason but I loved from the second listening onwards. I think it forms the bridge between Goldman's softer, gentler songs, and the more up-tempo, high energy anthems. This song is tender and emotional and the lyrics are so touching; whilst the beat is fast and catchy and I love it.

 It tells the story of how ordinary people can really make a mark on somebody's life; he highlights a cobbler, a teacher and a saxophone player. I really like the tune, but with this song it is certainly les paroles - the lyrics - that make me love it.

 About the saxophone player:

"Et il mit tant de temps, de larmes at de douleur;

Les rêves de sa vie, les prisons de son cœur."

"And he put in so much time, so many tears, so much pain;

The dreams of his life, the prisons of his heart."

 I love it ♥

 The final JJG song I wanted to tell you about is Juste Après - Just Afterwards. 

 I must warn you now that the video is very graphic and contains scenes which you might find upsetting. It is centred around a baby being born not breathing, and the medics' attempts to save the child. It is very moving but also, as you would probably imagine, very scary, graphic and could be upsetting. So proceed with caution.

 The video may not be watch-able for certain people, but I would recommend the song itself to anyone. It is just so beautiful. I would just love to be able to play it on the piano. 

 His guest singers, whom I believe to be Michael Jones and Carole Fredericks (although I would appreciate this being in the YouTube video description! They don't even credit Sirima in Là-Bas on YouTube), are brilliant too, and I think the three of them singing together is what elevates this from a very good Goldman song to a stunningly beautiful celebration of human life.

 It is so haunting, yet so positive and hopeful at the same time. I have truly never heard another song quite like it.

 I haven't been trying to put these songs in the order of when they were released; it's more the order in which I discovered and inevitably fell in love with them. However, I've realised that by chance the first and last song of this blog entry were released a decade apart - not only showing that JJ Goldman was on the French music scene for a long time, but a sign, I think, that Goldman's music and way of writing songs will never get old. It is timeless. 

 Yet another contender for my favourite Goldman song! I don't know if I'll ever be able to decide for sure which is my favourite. I'll just accept that they're all amazing. One thing is for sure, Jean-Jacques Goldman is sans doute - without doubt - my favourite French singer and I know I will always listen to and appreciate his music. 

 So merci tellement to my brother and my teacher for helping me discover and learn more about this wonderful artist whose music has made me so happy over the year or so since I first found it.

 I hope that you, my reader, enjoy his music too. 

 Merci d'avoir pris le temps de lire cet article.

 Liz x

Songs: 

Je Marche Seul - Jean-Jacques Goldman - 1985

Famille - Jean-Jacques Goldman - 1985

On Ira - Jean-Jacques Goldman - 1998

Au Bout de mes Rêves - Jean-Jacques Goldman - 1983

Là-Bas - Jean-Jacques Goldman - 1987

Puisque Tu Pars - Jean-Jacques Goldman - 1988

Il Changeait la Vie- Jean-Jacques Goldman - 1988

Juste Après- Jean-Jacques Goldman - 1995

Memories ♥

 Hellooo,

 Have been listening to this...

 ...and reminiscing about good times - hearing this for the first time on the radio while eating in a supermarket café and wondering what it was; looking it up and finding out it was Gloria Estefan and being pleased because I like a lot of her music; then listening to it a great deal on YouTube in the next few weeks, maybe even the next few months.

 This was all in my early days of college, so hearing the song always brings back very strong and distinct memories; for example sitting in the language lab at lunchtimes on Fridays because I'd had a lesson there before lunch, and listening to music calmly and happily for an hour and maybe doing a bit of homework, before going to biology in the afternoon. This is how I would generally end my college week, and it was a pleasant ending, and this song brings it all back very clearly. Thank you, Gloria! ♥

 Also I can't mention those early college days without this song, which for a while I simply could not get out of my head: 

 More good memories! Particularly of bus rides home - the scenery near our college is quite nice and, much as I love college, it was always nice to be going home after a hard day's work for a well-deserved rest : ) And, as I've said, I couldn't get this song out of my head. So thank you Amy Grant too ♥ And I think it's adorable that she wrote the lyrics of this song for her baby daughter.

 That's probably enough reminiscing about college for the time being; I should probably get on with my homework; but I hope maybe you've enjoyed these songs too, and that this blog post has inspired you to consider which songs have a special significance for you. 

 Merci de lire,

 (that means thanks for reading!) 

 Liz x

 Songs: Don't Wanna Lose You - Gloria Estefan - 1989

            Baby Baby - Amy Grant - 1991

Two good old love songs

 Aloha!

 I have always been a fan of old songs; to me old songs being anything before 1995. I was brought up on compilation albums from the 80s and 90s, and the late 80s/early 90s country music of Nanci Griffith and of Alison Krauss and Union Station.

 Something; I can't remember now what it was; reminded me of this song, which I first discovered not that long ago; maybe a couple of years ago.

 This is a song I often forget about, but when something reminds me of it I always listen to it and it puts a smile on my face. The rhythm is infectious; it is hard to resist the temptation to clap the beat like the mysterious gloved hands do in the video. 

 It is a nice, laid back song to listen to, which can really put you in a better mood. The story is also told well and with real emotion. I've just looked the song up and found out that it was number one in America for four weeks, which I think was well-deserved.

 For me, it is absolutely impossible to think of Jack and Diane without thinking of this next song, which I discovered around the same time, and which somehow I find to be very similar to it.

 Both songs have the two people the song is about as the title, and both songs are very raw; with quite a basic tune and not a huge number of instruments, and with lyrics that are well thought-out and sung with real passion. 

 In fact, I find this next song to be lyrically one of the most beautiful I have ever heard. Anyway, here it is:

 Every word is carefully chosen and the song is something really quite special - well, I find it to be, anyway. If you're not familiar with this, have a listen and see what you think.

 I also personally love the video; I think it is well-made and very poignant and symbolic.

 My favourite lyric has to be; "When you can fall for chains of silver, you can fall for chains of gold." So poetic. I have my own theory on what it means, but I guess lines like that could mean different things to different people. 

 Also, "I can't do everything, but I'll do anything for you." Beautiful. Although I don't recommend jumping off walls like he does in the video.

 I love it when I come across a decent love song that so clearly came straight from the heart of whoever wrote and sung it. There is so much pretentious rubbish about - but this is a song of real love, and it has won my heart.

 Liz x

 Songs: Jack and Diane - John Cougar Mellencamp (1982)

            Romeo and Juliet - Dire Straits (1980/81)