Hello! As you may have guessed from the name of this blog, my name is Liz and I am fascinated by song lyrics. I hope you enjoy my waxing lyrical about lyrics and about music generally. I also review albums and gigs and have interviewed several wonderful musicians. Enjoy!
I will be posting on this music blog again soon - I'll tell you all about my time in France, about my two trips to Spanish Catalonia and about the music that for me will always resonate with memories of this unique year.
As you may remember, I saw Pete and Maura Kennedy live in Southport in June performing a show of the songs of Nanci Griffith. I had previously seen this show in 2013. Both evenings were very enjoyable.
In June I came away with the Kennedys' live album of Nanci songs, Dance a Little Closer, and it is my great pleasure to review it for you.
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The album opens with a lively rendition of Nanci's upbeat I Wish It Would Rain. It is followed by Trouble in the Fields, which the Kennedys manage to adapt slightly, yet keep completely true to the sentiment of the original: sad but hopeful.
Next comes Across the Great Divide. I always find it so poignant and moving hearing the Kennedys perform this song, as they sang it with Nanci twenty years ago when they were her guitarist and backing singer, and it is great to see it come full circle.
It is also interesting for being the cover of a cover - the Kennedys' version of Nanci Griffith's version of a Kate Wolf song. Through its reincarnations it has managed to stay anchored firmly to the the roots of the song: a sense of loneliness, of a haunting, of coming to terms with a loss with bravery and acceptance.
Maura Kennedy's voice is always very beautiful but in this song especially, and in several others on this album, I noticed something extra in it - a deep kind of wisdom, of knowledge and sincerity, of someone who's seen many corners of the world. And so she has. It is very special to hear.
The next track is Late Night Grand Hotel, which the Kennedys previously recorded for their album Songs of the Open road. That version was nice, but this song suits being live. Maura has mentioned how important this song is to her as it reminds her of when she first started touring with Nanci. It is also a favourite of mine.
The original Late Night Grand Hotel is one of the more heavily produced Nanci tracks, so contrasts the most of any song on this album with the Kennedys' raw, emotional, acoustic trademark style.
For me, the best part of the original was the way Nanci sang the line,
"No-one ever knows the heart of anyone else,"
with such open sadness. I listened out to hear how Maura would do it, and was pleased to hear something similar in her voice.
I like how the "no"s in the chorus were held back until the end. Something I think might have been nice is for no-one to sing them on the first chorus, then Maura on her own, then Pete on his own, then both of them, rather than nobody and then both. But the way they did it still works and I prefer it to Nanci's having them all the way through.
The Kennedys also add a nice little bridge between the first chorus and second verse and an instrumental at the end, with lovely-as-ever guitar work from Pete. Overall, they did a great job on one of my favourite Nanci songs.
Their version of Lone Star State of Mind - another cover-of-a-cover - is pleasant, although I'm not too keen on the jazzy feel they have introduced. Still, it is good that they made it their own. At the very end it reverts back to folksy with some more great guitar work.
There's a Light Beyond These Woods is another song that is important to Maura as she witnessed a very emotional performance of it by Nanci which deeply moved her. She sings it beautifully; I especially like the way she sings,
"All the dreams we sang..."
I'm Not Drivin' These Wheels is a song which I liked when I was younger, which I lost, and which I spent ages trying to find again by listening to snippets of songs on Amazon.
I'm glad the Kennedys like it and identify with it as well - enough to include it not only on this album but also as their contribution on the Nanci tribute album by various artists, Trouble in the Fields, which they produced.
Their version is perfect - it keeps everything good about the original and adds some very Kennedys guitar licks. A lovely piece of musicianship.
I have sung the praises at least twice in the past of the Kennedys' version of Gulf Coast Highway, which I prefer to the original - theirs is softer, more gentle, while the original is sharper and more dramatic. The last verse, where Maura sings on her own and is then joined by Pete, is very lovely.
They then go back up-tempo with Love Wore a Halo (Back Before the War). I feel this is often neglected as a Nanci song, and it's a good one. I'm glad the Kennedys are fans. Their version live is uproarious and great to sing along to, and the recording manages to capture that fun and spirit.
We then have From a Distance. I don't really like Nanci's version of this, and I found the Kennedys' one very similar - it is probably the truest to the original of any song on the album. Still, Maura's voice is especially nice on the chorus.
Ford Econoline moves in the vein of Love Wore a Halo: wild and joyful. I get the impression from the amount of applause that it may have been the final song in the concert and I agree that it is a great note to finish a night on - so happy and fun.
The penultimate track is Love at the Five and Dime. I would really have liked this to be the ultimate track as I think it sums up all this album is about, plus it contains the line that forms the title of the album:
"Dance a little closer to me."
It's slower than Nanci's version and I like it that way - they seem to put more focus on the story and the emotion than on the melody, although the melody is there and is strong.
The final track is Hell No (I'm Not Alright). I don't want to comment on the song because I don't understand the politics behind it; even after watching the video I'm not sure what message Nanci is actually trying to give out. So I'll comment only on the musical side: the Kennedys play it well and with great enthusiasm.
This album was very enjoyable to listen to - if there are a couple of songs I wouldn't listen to regularly, it's because I dislike the original, not because the Kennedys have done anything wrong. Maura's voice is gorgeous as ever; Pete's guitar playing is sublime; the two make an amazing duo. I've said these things many times before but they never stop being true.
Overall, a lovely piece of work that is true to the person it is celebrating while incorporating the artists' own personalities, which is the best way to do a tribute.
Rating: 8/10
Song: Across the Great Divide - Nanci Griffith - 1993
Firstly, a quick bit of news on the writing front: I have had a poem published in Ink, Sweat and Tears! It's a great honour.
Now to the real purpose of this post which is to tell you about the concert I attended in Southport on Wednesday night. You may remember I went to a Southport gig last September, and in many ways this one was similar, yet it was also completely different.
The venue was The Atkinson; the show was Nanci Griffith tribute show Trouble in the Fields, starring Pete and Maura Kennedy and Edwina Hayes - so far, so similar to September's show. However, this evening we also had the great pleasure of the company of Grateful Fred's House Band - Grateful Fred's also organised the evening.
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My mother and I arrived in Southport by train and spent an interesting while searching for the venue - last time we came by car and it was a labyrinth reaching it from the station! However, we eventually found the beautiful place with its lovely fountains out the front, and climbed the stairs to the Studio.
This was where the show last year was, and I was glad they were there again as it is a nice, cosy little space; very nicely lit and with a real ambience.
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The show opened with a set from Grateful Fred's House Band which I greatly enjoyed. Their haunting rendition of Ride On was certainly my highlight; it was sublime, especially the guitar work.
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The Kennedys then came on stage (and Maura very nicely gave me a shout-out) to play a short set of their own songs. I was pleased to hear Midnight Ghost, one of my favourites, as well as some brilliant-as-always guitar and uke work from Pete.
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After a short break, the Kennedys returned for the Nanci Griffith tribute set, and after several songs were joined by Edwina Hayes.
Having two such stunning voices as Edwina's and Maura's on the same stage was always going to be very special, and they also work incredibly well together - they harmonise beautifully.
The trio just worked so well, and I am glad someone had the idea of them performing together - it really is something incredible that feels like it was destined to happen.
Every song was a joy, but if I had to choose a few highlights, I would have to include Gulf Coast Highway, which I had been really hoping they would do because I adored it in September. I love the original song but the Kennedys' version may well top that for me.
Also especially memorable were their versions of Lone Star State of Mind, Late Night Grand Hotel and I'm Not Driving These Wheels.
Finally, I was very moved by A Light Beyond These Woods, a song which is special to me and to which they truly did justice, and Across the Great Divide, which I cannot hear and see the Kennedys perform without remembering them doing so twenty years ago with Nanci on Jools Holland.
It is so lovely how the song has stayed around for twenty years, and has continued touching hearts. I have no doubt it will be around for another twenty.
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The show ended with Grateful Fred's House Band joining the trio on stage and everyone playing together, and it was a truly wonderful, joyful and memorable spectacle. They worked brilliantly together - their version of Full Circle made a fabulous finale.
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After the show I ran into Edwina who was absolutely lovely and then I had nice chats with both Kennedys.
I have mentioned many times before how down-to-earth and friendly Pete and Maura are, but I feel I should mention it again. It is very rarely that you come across two people who are so successful and popular, yet are willing to chat and laugh and mingle with their fans - who are not just willing, in fact, but seem to take huge pleasure in doing so.
I came away with Edwina's album Pour Me a Drink, featuring Feels Like Home, a song with great emotional significance for me, as well as the Kennedys' Dance a Little Closer: a live album of them performing Nanci songs. I hope to post reviews of both on this blog in due course.
As my mother and I rushed to the train station through the dark night with its light, misty rain and cool wind, I felt very, very happy - and I felt even more so when, sitting on the train, I discovered the lovely things the Kennedys and Edwina had written on my signed albums.
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Thank you to everyone involved in this night, it really was a night in a million.
Thanks for reading,
Liz x
PS. If you like the Kennedys or want to learn more about them, I have done an interview with them, an album review and a write-up of a show of their own songs they did in the UK last June.
Song: Across the Great Divide - Nanci Griffith - 1993
It's now been a week since Eurovision, and I'm pleasantly surprised that no less than four of its songs are in the UK Top 40 Singles Chart.
Calm After the Storm, the Netherlands' song, is at number 9, Rise Like a Phoenix,the winning song from Austria, is at 17, the UK's entry, Children of the Universe, is at 23 and Swedish entry Undo is at 40.
For me, this a a brilliant sign for Eurovision; that its songs are making their way into the daily lives of British people. They aren't things to be listened to as a one-off, but something to be enjoyed and valued.
However, I am a bit sad that Malta's entry, Coming Home, hasn't yet made the Top 40. It and Calm After the Storm were definitely my two favourites, and both received a vote from me. I'm now going to talk a bit more about these two songs and why I love them.
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I will start by debauching any perception anyone may have that, as both songs are folk/country songs, I only like Eurovision songs in this style. This is untrue.
Some of my favourite ESC songs over the years have been pop, rock or semi-opera, and there are many folksy entries that I haven't liked; Latvia's entry this year, Bake a Cake, comes to mind.
No, the reason I like Calm After the Storm and Coming Home are that they are both great songs, independent of one another of of their musical style.
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Firstly, Coming Home by Firelight.
Before hearing the sing itself, I heard a tiny bit of this on a recap of songs and I just knew I would like it. When I heard it through, I liked it even more than I had anticipated, and it became my favourite song in the competition. I also love the video; it's very moving and relevant for the Centenary of World War I.
Commentators in the UK compared Firelight more than once to Mumford and Sons, but I don't hear that much of a resemblance. I agree with other comparisons, though - to Gary Barlow (Let Me Go) and One Direction (Story of my Life).
Despite these similarities, I think this song stands alone and is much better than any of the things it's been compared to!
I'm really glad the UK gave several points to Malta, though I wish the song had achieved a better placing by the end (it came 23rd). It's certainly a song I'll listen to again and again, long after this year's Eurovision fever has sizzled out.
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Secondly, Calm After the Storm by the Common Linnets.
I really glad to see this reach the UK Top 10; I had had a hunch that it would do well in our charts.
When I first heard it, I thought it was a very average country song, but pretty enough. I hoped it would do well as it was so different and would be a refreshingly different winner.
However, it really grew on me in the two days between its semi-final and the final, and I liked it so much in the final that it received my second vote. I now like it even more: it is a real grower.
I was really glad to see it receive so many 10s and 12s; it's really not your typical Eurovision winner and I had worried it would be overlooked, but instead it did incredibly well, eventually coming second.
I hope this is the beginning of a successful international career for both members of the Common Linnets, Ilse deLange and Waylon. They are already big in their own country; in fact, Ilse is a current coach on the Dutch version of the Voice (which I've just found out was the very first version of the show!).
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I wish these two bands the very best for the future, and hope they will turn out to be Eurovision success stories, like Abba and Céline Dion. Even if they don't, I doubt their wonderful Eurovision offerings will ever be forgotten. They are a pair of songs with true longevity.
As you will know if you follow this blog or my Facebook page, I am a huge Eurovision fan. It is quite possibly the highlight of my year. I just love the sense of together-ness, of people all over Europe watching and enjoying the same spectacle.
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The host nation:
One thing I like about Eurovision is learning about the host nation, and in this way I felt slightly let down this year, as I found there wasn't much information about Denmark, or Copenhagen as a city.
The only thing that had anything to do with Danish culture was the performance of Hans Christian Anderson's The Ugly Duckling in one of the semi-finals. I would have liked more of that sort of thing, especially in the final.
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The hosts:
I thought the show was well-hosted, though I preferred Petra Mede last year. I think some of the hosts' humour was perhaps lost in translation, as I didn't find some things funny that I think I was supposed to.
I also didn't really get the continual China references - was that an in-joke of some kind? Overall, though, it was better hosted than a lot of past contests.
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The venue:
I was amazed when I saw pictures of the venue from the outside - it is a pair of former shipping containers, and looked so different from more glamourous past Eurovision venues. Yet inside, it looked wonderful; I liked the stage design and how it matched the gem theme of the contest.
When I first encountered the gem theme, I thought it too simple and ordinary. However, it really worked on the night and looked quite arty. The tagline, "#Join us," is too similar to Norway's 2010 slogan, "Share the moment," and I feel that Norway captured the sentiment better with their flashmob. But it is a nice sentiment to have in the first place.
I could have done without the hash tag, though. Not all of us use Twitter, and those of us who don't can still be part of Eurovision.
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The songs:
I thought the standard of songs this year was really good - probably the best overall quality across all the songs that I remember seeing at Eurovision. However, for me there were few really excellent songs. I voted for Malta and the Netherlands, my favourites by a long way.
I also quite liked Spain's song. But that was it. While many other songs were good, they just didn't blow my mind.
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The winner:
I like how Conchita's victory was a victory of sorts for equality. Also, Tom, the guy whose character she is, seems really nice in interview. However, I don't really like the song - it just seems to be about three other songs pasted together and generally dull.
The ideal situation for me would have been for Conchita to have come second, which would still have made a stir and a statement, and for the Netherlands to have won because they had the better song and it is a song contest at the end of the day.
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I hope you enjoyed reading my thoughts on the show. Congratulations to Conchita and to Austria, and thank you to everyone who was involved in making Eurovision 2014 such a great success.
Here's to Eurovision 2015 in Austria!
Thanks for reading! I have also written an article about Eurovision for my university's student newspaper, if you would like to check it out.
I'm just letting you know that I've had an article about the Eurovision Song Contest published in The Mancunion, the University of Manchester's student newspaper. Check it out if you love Eurovision - or if you hate Eurovision. Hopefully in the latter case I can change your mind.
