Review: Indigo Girls - Swamp Ophelia

 Hello!

 Just letting you know I reviewed Indigo Girls' album Swamp Ophelia for The Mancunion.

 I hope you enjoy my write-up.

 Liz x

Eurovision 2017: The second semi-final

 Hello!

 I hope you enjoyed my blog post about Eurovision 2017's first semi-final. Here are my thoughts on the second.

1) Serbia - This was one that stuck in my head. It isn't amazing, but it's catchy in its own way. It has some cheesy lyrics - "High off the ground, I'm not coming down" - but is otherwise tolerable.

2) Austria - This was one of my stand-out songs from this semi. It is remarkable how through the lovely staging they managed to transform a fun folksy song with a mountain-y video into an epic Eurovision ballad. It reminds me of Frans's "If I Were Sorry" from last year: laid-back and adaptable.

3) F.Y.R Macedonia - This was another average song that managed to stick itself in my head. The singer looks a bit like Celine Dion but her voice and style are more like Madonna. 

 A lot of techno-themed staging would get too much, but one song's worth is okay and makes for an interesting change.

4) Malta - This one actually does sound like Celine Dion! I feel like this could be a very standard ballad sung by another person, but this singer lifts it with her personality and with her obvious passion for being there and for the song.

5) Romania - I thought this was just okay at first, but I'm coming to really like it. It is a great hybrid of rap and yodelling, bringing the two together effortlessly. It is nice and cheerful and utterly Eurovision.

6) The Netherlands - This was the stand-out song for me. The harmonies were perfect; very Wilson-Phillips. The song is lovely. It is by far the Eurovision entry I've listened to most this year. I've been really impressed by The Netherlands' entries the last few years.

7) Hungary - This isn't one of my favourites, but isn't bad, and I was caught by surprise when he burst out rapping. I liked the simple but colourful presentation.

8) Denmark - I found the song very ordinary, but the performance quite enthusiastic and fun.

9) Ireland - His voice really surprised me. The song is quite nice and the staging is minimal but works. The balloon is unusual and it all seems to tie together neatly. However, it is missing some Eurovision pizazz.

10) San Marino - Valentina again! Is she really the only singer in San Marino? Jimmie is a good complement for her, though, and the song is pure Eurovision: upbeat and catchy, with a colourful background, disco theme and great outfits. This should have had a chance.

11) Croatia - This was even odder this time around than when I first heard it - I don't think I had realised one guy was singing everything. Switching between pop and opera literally every line is really remarkable. 

 The song is quite pleasant but think it could be better staged, and he could have benefitted from making it more about the song and less about him.

12) Norway - I really didn't think much of this at first. My mother likes it, however, and it has grown on me slightly. Normally Norway turn out decent if not great songs, and this was a disappointment in comparison.

13) Switzerland - This reminds me a lot of the UK's song this year. It's passable. Some of the lyrics are cheesy to say the least. The yellow and purple theme is quirky and different but might get annoying after a while. This is another song my mother likes.

14) Belarus - I really enjoyed this at first. I still like it, but I think I'm losing my love for it. It is well-performed and I love hearing an own-language song. I just don't feel the song itself is as good as other folk songs we've heard on Eurovision recently.

15) Bulgaria - This was another surprising voice - it sounds older than a seventeen-year-old's. The song is an ear-worm and could easily be in the UK charts sung by Bieber or Mendes, though this guy's voice is perhaps superior to both. 

 I could do without the strobing and weird jerky camera effects, but both song and performance are very good.

16) Lithuania - This is a funny one because I like the verses but the chorus feels rather run-of-the-mill Euro-ballad-y. The singer is very intense, but if you like her style then the song can be quite an interesting journey to take with her.

17) Estonia - Another male-female duet from Estonia, and this wasn't as good for me as 2015's "Goodbye to Yesterday". It really reminds me of another dance track. I can't think which. 

 While it didn't live up to Estonia's track record, the song was pretty decent and well-performed. The guy's intense staring to the music was a bit much, however.

18) Israel - This was an average upbeat Eurovision song - he performed it okay, but the song itself wasn't very memorable.

My top ten (just in performance order): Austria, F.Y.R. Macedonia, Malta, Romania, The Netherlands, Ireland, San Marino, Croatia, Bulgaria, Estonia.

My top five (starting with the best): The Netherlands, Austria, Bulgaria, San Marino, Romania.

 Look out for my views on the final, coming soon!

 Feel free to check out my posts from last year's contest, too:

 First semi-final
 Second semi-final
 Big Five and Sweden
 Final

 Thanks for reading!

 Liz x

Eurovision 2017: The first semi-final

 Hello!

 I was studying in Spain during Eurovision this year, which allowed for a different and novel viewing experience. As I was super-busy preparing for exams I didn't have time to blog on the contest at the time, though I did live-tweet it.

 Now, back home in the UK, I have the luxury of watching the semi-finals in a more relaxed way and making notes of my thoughts on each song. I hope you enjoy them!

1) Sweden - I was never a fan of this song, but it is growing on me. They are a smooth outfit and seem very into what they're doing. It is an achievement to stay on the treadmills; I didn't notice them at first.

2) Georgia - A very standard Eurovision ballad, but a solid performance.

3) Australia - In Spain they were saying Isaiah looked like Rafa Nadal. I can see that, but he really reminds me of someone else too, and I can't think who. 

 Musically, he is like Tom Odell. I like his voice and style and the song is okay, but the staging could be better and showcase him more effectively.

4) Albania - A shaky start; they could have got into the song faster rather than leaving the singer to manage alone. When it gets going it is pretty good. Staging-wise, I like the clocks, but the flashing lights are unnecessary.

5) Belgium - I'm rather sick of hearing this song. I would probably have liked it otherwise, but it has been overplayed in the Eurovision world, and I think I might have heard it on the radio in Spain, too. 

 The staging is fine. Blanche's performance is good; she is clearly nervous but gets through it.

6) Montenegro - This was one of the more memorable performances when I first watched. I had been wondering if the braid was real until Scott Mills (commentating) declared that it is detachable.

 The song is okay; the singer lifted it to much more than it would have been. The whole thing felt quite Robbie Williams: a very confident number.

7) Finland - People in Spain and online were very surprised when this failed to get to the final. I like it: the staging and performance are understated, in a good way. 

 Funnily enough, just as I was listening to the song and she was singing "Blackbird, don't sing", I read someone on Facebook complaining about birds being noisy in their garden. Birds should sing when they want to! It's a good song.

8) Azerbaijan - At first I found this to be odd and shouty. Behind all the strangeness, however, it is a decent song and it is remarkable how she is able to keep singing, and singing very well, while doing all the actions, writing and climbing the ladder.

 It was undoubtably one of the most iconic performances this year.

9) Portugal - I never disliked this song, but I felt it was overrated. It is beginning to grow on me, though, and I will always welcome new styles, own languages and stripped-back performances on Eurovision.

10) Greece - This was a song that struck me as a solid one the first time around. I like the water theme; it makes a change from endless fire- and lightning-themed stagings.

 The singer is confident and looks like she is enjoying herself; my mother thinks she looks like Cobie Smulders.

11) Poland - The parade of sitcom stars continues with Penny from Big Bang representing Poland. This is one of the better ballads, though not amazing. Her voice is good and she is putting in a good performance. I like the constellation-y background.

12) Moldova - Is it just me or do the two non-sax guys look like Marcus Butler? The song is catchy and something a bit different. The set-up reminds me a lot of Bosnia and Herzegovina's legendary entry from 2008 by Laka.

13) Iceland - The singer's style, hair and the opening of the song made me think this would be an energetic, dance-y number. It turned out to be one of the best ballads of this year. She really owns the stage and is not overpowered by the song like many other ballad-singers; instead she controls it well.

14) Czech Republic - This stood out for me on my first viewing, and I was sad that it didn't get through. Her voice is not what I had expected to come out of her, and it is lovely.

 She reminds me a lot of the Venezuelan singer Georgina, who I mentioned in my "Songs from Salamanca" article.

 Overall, this was refreshingly different, and I liked it a lot.

15) Cyprus - This is actually a very good song musically and the staging is inventive, though all the white light can be a bit hard on the eyes. 

 I just can't completely connect to it personally, and as I tweeted at the time, I can't see why being someone's gravity would be a good thing.

16) Armenia - This had some great arm-ology, as Craig Revel Horwood would say. Overall, it was okay; not a stand-out number for me.

17) Slovenia - This is a real grower and has an epic, musical-theatre feel while also maintaining the time-tested Euro-ballad structure and spirit. The staging was nice and simple and I like his sparkly suit! 

 He handles the high parts well - it was an all-round solid song and performance.

18) Latvia - This isn't my style of music but they were certainly enthusiastic. I can't really bear all the trippy wannabe-trance stuff in the background - it is somewhat headache-inducing. My mother thinks this singer looks like Katy Perry.

 My top ten (just in performance order): Australia, Belgium, Finland, Azerbaijan, Portugal, Greece, Iceland, Czech Republic, Cyprus, Slovenia.

 My top five (starting with the best): Czech Republic, Iceland, Portugal, Slovenia, Greece.

 Overall, it was a decent semi-final and I did have trouble picking out my top ten. Keep an eye out for my write-up of the second one. I'll also be doing a post on the songs from the Big Five and Ukraine, so watch this space!

 I also blogged Eurovision last year, so check out my posts from then as well:

 First semi-final
 Second semi-final
 Big Five and Sweden
 Final

 Thanks for reading,

 Liz x

Review: Indigo Girls - Rites of Passage

 Hello!

 Just letting you know that my piece about Indigo Girls' 1992 album Rites of Passage has been published in The Mancunion.

 I hope you enjoy learning about this vibrant record.

 Liz x

Eurovision 2016: The sensational second semi-final

 Hello!

 Now I've given you my thoughts on the first semi-final, I'll share with you my views on the second one, which I feel was definitely the stronger of the two.

 To begin with, the hosts Måns and Petra's "That's Eurovision" performance was brilliant! When they first began I thought, "Oh no, they're going all Broadway to please the Americans even more" (with them having already announced that Justin Timberlake would perform during the final). 

 However, they weren't afraid to mock themselves and the contest and it ended up being really funny and enjoyable. Petra, as I've said before, can pull off pretty much anything.

 Now to the competing songs. I'll be using the same scoring system I did for the first semi, ie, each country will receive a mark out of 20 for the song, as well as comments regarding staging, voice and performance. Let's go!

 1) Latvia - I found the song dull but he had good stage presence. It kind of sounded like a slowed-down version of last year's Aussie entry, "Tonight Again". 10/20

 2) Poland - The lighting was nice. I don't have that much else to say about it! It was okay. I don't really get why it's a favourite. 10/20

 3) Switzerland - This was quite nice and reminded me of "Running Scared", which won for Azerbaijan a few years ago. 11/20

 4) Israel - I was pleasantly surprised by this; the singer came across as a character in interviews I'd seen but the performance was understated and quite calm. I liked the simplistic staging, along with his sparkly shirt and gloves! 12/20

 5) Belarus - Ah, the infamous wolf performance! I found there was way too much going on, making it hard to really appreciate the song. 12/20

 6) Serbia - This song had a good message, against domestic violence, but musically it was very average. 8/20

 7) Ireland - The song was okay; rather clichéd even for Eurovision. Nicky Byrne looked awkward, like he wasn't really comfortable performing it. 11/20

 8) FYR Macedonia - This was one of my favourites. The singer has a great voice - and she also seemed very tall! - and the performance was solid. The song sounded like a lot of others strung together but she pulled it off. The drummer was intense! 17/20

 9) Lithuania - Ah, the return of Donny Montell - this time without a blindfold. 

 This year's song from him - "I've been waiting for this night" - was one of the ones I felt had most potential - it's very One Direction and quite catchy - but I think this performance let it down. 16/20

 10) Australia - This is undoubtedly one of the best songs and vocalists but again, I felt something was missing from this performance. I liked the staging - minimalist but effective. 18/20

 11) Slovenia - This was very Taylor Swift; it veered between country and Europop rather oddly but kind of worked, aided by a confident, impassioned performance. 15/20

 12) Bulgaria - The grammar! "If love was a crime..." At least Frans for Sweden got the subjunctive right with "If I were sorry." This was rather boring and run-of-the-mill Eurovision but she certainly performed it with gusto. 12/20

 13) Denmark - The 15-to-1 style podia were interesting. Otherwise this was pretty clichéd; they seemed to be trying a bit too hard to be A-ha or Herreys. 10/20

 14) Ukraine - As I've said before, I'm not getting into the politics of songs. On a musical level, I found this rather slow and repetitive; however her voice is incredible and her performance was assured. 10/20

 15) Norway - Dry ice alert! People seem generally far less obsessed with dry ice these days than they were for a while a few years ago. This performance, however, had all the dry ice anyone could ever desire. The lyrics of the song are appalling - "I'll be your ice-breaker when you're stuck in frozen water"? 8/20

 16) Georgia - This had a lot of weird trippy stuff going on with the graphics and was generally quite dull. 10/20

 17) Albania - An odd but nice dress couldn't salvage a boring song. 9/20

 18) Belgium - This was like a cross between Fleur East and Kylie, transported into the 70s. The song was very enjoyable (though it sounds like so many we've heard before) and her performance was impressive, especially all the dancing. 14/20

 As mentioned earlier, I found this the better semi-final, with a good range of musical styles and some solid songs and performances. Watch this space for my blog posts about the Big 5 and Sweden, and about the grand final.

 Thanks for reading!

 Liz x

Jonas Kaufmann: An Evening With Puccini

 Hello!

Photo: Gregor Hohenberg - The Telegraph

 My parents are huge fans of German tenor Jonas Kaufmann and his concert DVD You Mean the World to Me is often played in our house. Although until a few nights ago I was not too familiar with opera, I could tell his voice was amazing.

 So when last week Arts Alliance asked if I would like to see his new film, An Evening With Puccini, I was of course delighted. It was to be shown at, among many other places, the Odeon in the Printworks, Manchester, which was handy for me.

 Chinese New Year having just gone, Manchester city centre was a sea of red lanterns, setting the scene for an exotic and exciting night. I navigated the maze of escalators in the Odeon and settled down, ready to be enchanted.

 Before the concert we were treated to a brief interview between Kaufmann and Clemency Burton-Hill, in which the tenor explained how he chose to devote an evening to Puccini as the latter was so expert in conjuring up and playing with human emotion. They also hinted at a surprise to come.

 The film proper begins with Jonas striding purposefully through Milan to dramatic music, which could have been very cheesy but somehow works. He arrives at the La Scala opera house and is visually moved by its golden majesty, charged atmosphere and six levels of seating.

 He introduces the conductor, Jochen Rieder. The amiability and mutual respect between the two men is one of the strongest elements of the film. We meet the orchestra, who play a prelude, over which Jonas tells the life of Puccini. His love for the composer is very evident.

 Kaufmann then walks on-stage to rapture from the audience and performs his first aria. His voice is strong and confident, his acting solid and his joy at telling the story, of sharing something he loves, is radiant.

 The show proceeds fairly methodically: the orchestra will perform an instrumental piece, then Kaufmann will take the stage and perform an aria, then there will be another instrumental and another aria. However, methodical as it is, the evening feels very natural and rings with emotion.

 A range of operas are covered, with pieces from Manon Lescaut, Tosca, Madama Butterfly and La fanciulla del West.

 Of course, he has to end with Nessun dorma, which he performs with gusto. Having heard it many times, I was pleasantly surprised that his version made me feel something I hadn't previously. On the last notes of "I will win", I felt such a power and determination coming from his voice, from him, that it filled me with hope and the idea that maybe I could win, too.

 Finally, of course, come the numerous encores including the surprise hinted at earlier. While I won't spoil it, I will say I'm glad that it was left in the film and that instead of putting Kaufmann off as it could well have done, he embraced it and made it work in quite a positive way.

 The film ended quite abruptly but left me feeling like I had been transported to another place and time - to the point where on my way out, I honestly kept having to remind myself I was in Manchester and not Milan.

 It was a unique experience which has inspired me to watch and listen to more opera and to see more event cinema.

 Thanks for reading,

 Liz x

Review: The Kennedys - Dance a Little Closer

 Hello!

 As you may remember, I saw Pete and Maura Kennedy live in Southport in June performing a show of the songs of Nanci Griffith. I had previously seen this show in 2013. Both evenings were very enjoyable.

 In June I came away with the Kennedys' live album of Nanci songs, Dance a Little Closer, and it is my great pleasure to review it for you.

***

 The album opens with a lively rendition of Nanci's upbeat I Wish It Would Rain. It is followed by Trouble in the Fields, which the Kennedys manage to adapt slightly, yet keep completely true to the sentiment of the original: sad but hopeful.

 Next comes Across the Great Divide. I always find it so poignant and moving hearing the Kennedys perform this song, as they sang it with Nanci twenty years ago when they were her guitarist and backing singer, and it is great to see it come full circle.

 It is also interesting for being the cover of a cover - the Kennedys' version of Nanci Griffith's version of a Kate Wolf song. Through its reincarnations it has managed to stay anchored firmly to the the roots of the song: a sense of loneliness, of a haunting, of coming to terms with a loss with bravery and acceptance.

 Maura Kennedy's voice is always very beautiful but in this song especially, and in several others on this album, I noticed something extra in it - a deep kind of wisdom, of knowledge and sincerity, of someone who's seen many corners of the world. And so she has. It is very special to hear.

 The next track is Late Night Grand Hotel, which the Kennedys previously recorded for their album Songs of the Open road. That version was nice, but this song suits being live. Maura has mentioned how important this song is to her as it reminds her of when she first started touring with Nanci. It is also a favourite of mine.

 The original Late Night Grand Hotel is one of the more heavily produced Nanci tracks, so contrasts the most of any song on this album with the Kennedys' raw, emotional, acoustic trademark style.

 For me, the best part of the original was the way Nanci sang the line,

"No-one ever knows the heart of anyone else,"

 with such open sadness. I listened out to hear how Maura would do it, and was pleased to hear something similar in her voice.

 I like how the "no"s in the chorus were held back until the end. Something I think might have been nice is for no-one to sing them on the first chorus, then Maura on her own, then Pete on his own, then both of them, rather than nobody and then both. But the way they did it still works and I prefer it to Nanci's having them all the way through.

 The Kennedys also add a nice little bridge between the first chorus and second verse and an instrumental at the end, with lovely-as-ever guitar work from Pete. Overall, they did a great job on one of my favourite Nanci songs.

 Their version of Lone Star State of Mind - another cover-of-a-cover - is pleasant, although I'm not too keen on the jazzy feel they have introduced. Still, it is good that they made it their own. At the very end it reverts back to folksy with some more great guitar work.

 There's a Light Beyond These Woods is another song that is important to Maura as she witnessed a very emotional performance of it by Nanci which deeply moved her. She sings it beautifully; I especially like the way she sings,

"All the dreams we sang..."

 I'm Not Drivin' These Wheels is a song which I liked when I was younger, which I lost, and which I spent ages trying to find again by listening to snippets of songs on Amazon.

 I'm glad the Kennedys like it and identify with it as well - enough to include it not only on this album but also as their contribution on the Nanci tribute album by various artists, Trouble in the Fields, which they produced.

 Their version is perfect - it keeps everything good about the original and adds some very Kennedys guitar licks. A lovely piece of musicianship.

 I have sung the praises at least twice in the past of the Kennedys' version of Gulf Coast Highway, which I prefer to the original - theirs is softer, more gentle, while the original is sharper and more dramatic. The last verse, where Maura sings on her own and is then joined by Pete, is very lovely.

 They then go back up-tempo with Love Wore a Halo (Back Before the War). I feel this is often neglected as a Nanci song, and it's a good one. I'm glad the Kennedys are fans. Their version live is uproarious and great to sing along to, and the recording manages to capture that fun and spirit.

 We then have From a Distance. I don't really like Nanci's version of this, and I found the Kennedys' one very similar - it is probably the truest to the original of any song on the album. Still, Maura's voice is especially nice on the chorus.

 Ford Econoline moves in the vein of Love Wore a Halo: wild and joyful. I get the impression from the amount of applause that it may have been the final song in the concert and I agree that it is a great note to finish a night on - so happy and fun.

 The penultimate track is Love at the Five and Dime. I would really have liked this to be the ultimate track as I think it sums up all this album is about, plus it contains the line that forms the title of the album:

"Dance a little closer to me."

 It's slower than Nanci's version and I like it that way - they seem to put more focus on the story and the emotion than on the melody, although the melody is there and is strong.

 The final track is Hell No (I'm Not Alright). I don't want to comment on the song because I don't understand the politics behind it; even after watching the video I'm not sure what message Nanci is actually trying to give out. So I'll comment only on the musical side: the Kennedys play it well and with great enthusiasm.

 This album was very enjoyable to listen to - if there are a couple of songs I wouldn't listen to regularly, it's because I dislike the original, not because the Kennedys have done anything wrong. Maura's voice is gorgeous as ever; Pete's guitar playing is sublime; the two make an amazing duo. I've said these things many times before but they never stop being true.

 Overall, a lovely piece of work that is true to the person it is celebrating while incorporating the artists' own personalities, which is the best way to do a tribute.

 Rating: 8/10

Song: Across the Great Divide - Nanci Griffith - 1993

 More Kennedys pieces:

Amazing news and the Kennedys
Review: The Kennedys - Closer Than You Know
Interview with the Kennedys
A night with the Kennedys
A special night in Southport
A few more JSC songs
A magical evening

 Wow, I've written a lot about the Kennedys!

 Thanks for reading,

 Liz x

Review: Edwina Hayes - Pour Me a Drink

 Hello, readers!

 You may remember that I have been to two Nanci Griffith tribute concerts in Southport - one in 2013 and one in 2014. Both times, Edwina Hayes was present and I had the privilege of hearing her beautiful and unique voice. Both times, I also met her - last time, I literally ran into her - and she was lovely.

 So, it is a great pleasure to be able to listen to and review her album Pour Me a Drink. Released in 2008, it is Edwina's second solo album.

 I must begin by commenting on its beautiful artwork: it is incredibly pretty and I feel that the blossoms decorating both the cover and some of the inside pages of the sleeve represent the album really well: the songs are soft, delicate and fragile like blossoms, yet also very strong, as is a cherry tree.

 The album opens with Run, a rather dark, sad song which I personally would not have chosen as an opener but which is very good nonetheless. The next track is one of my favourites, Leave a Light on for You, which is simple but very sweet and for me is reminiscent of a Nanci Griffith song.

 Season of Love is more bluegrass and I like it, especially the chorus.Very American-sounding. Call Me flows in the same vein as Leave a Light on for You and is similarly sweet and delicate. One of several songs on the album written by Edwina alone rather than in collaboration, it is a good example of her song writing - a simple but beautiful song about a never-ending love.

 The title track, which I saw Edwina perform live in Southport, is slow and haunting and very sad. It's followed by her take on the traditional Froggie Went a Courting, which is smooth and pleasant to listen to and has a happy ending!

 Edwina's cover of Randy Newman's Feels Like Home is the first song I heard her sing, due to its use in the film version of My Sister's Keeper. It also became very important to me when I moved from one University hall of residence to another and felt much more at home in the second one. I kept playing this song in my head and I now associate it with that time.

 It is a marvel in that it manages to be smooth and very easy on the ear while being extremely raw and emotional. It is probably still my absolute favourite of her songs, although I have discovered several new favourites on this album.

 The album ends with Irish Waltz, a lovely piece that sounds genuinely like it could have been written centuries ago in Ireland unlike certain other modern pieces designed to sound so that don't. Edwina's voice is always lovely but here it is divine, and Jack McKeague's guitar work and especially his dobro work are stunning. It is a wonderful end to the album.

 I enjoyed this album. While most of the songs are quite similar in that they are simple, delicate love songs with an acoustic guitar, each one does create its own unique ambience. Edwina's guitar work is very nice and her voice is gorgeous.

 As a writer, one measure of what I think is a good song is one that I would use in a film of one of my books. I would certainly consider this for both Leave a Light on for You and Edwina's version of Feels Like Home (although the latter has already been done).

 Overall, a lovely album and one which I am sure I will listen to a great deal.

 Rating: 8/10

 Thanks for reading,

 Liz x

Review: Roxette - Look Sharp!

 Hello all!

 I am very pleased to have had a write-up of Roxette's classic album Look Sharp! published by The Mancunion. I hope you enjoy it!

 All the best,

 Liz x

Interview with Eddi Reader

 Hello all!

 In October I had the honour of interviewing Eddi Reader for The Mancunion ahead of her gig at the RNCM on 1st November. I was then given the chance to review that gig, which was brilliant, and afterwards I met Eddi! She came across as a lovely, down-to-earth person and the whole experience was fantastic.

 You can read my interview of her here and my review of the gig here. I hope you enjoy them.

Eddi and me

 Let me now share with you some Eddi Reader videos. 

 I wish there was a video for Married to the Sea, a gorgeous song she performed at the concert I saw. Look out for that song, it's wonderful.

 Bell, Book and Candle is probably my favourite song that she sings, and this live version is so beautiful.

 There's also Patience of Angels, which I heard in a music quiz last year and which I recognised but couldn't place. I'm sure I heard it when I was much younger. It's a lovely song and always has that sense of déjà vu for me.

 Here is Perfect. I never was a massive fan of this until she performed it live at the RNCM gig, and since then it's grown on me. I love this performance:

 Finally, here is one of my favourite music videos of all time, Is This Love? by Alison Moyet, in which she, Eddi and the rest of the band dance on the beach and look so happy and carefree - that's how all music videos should be!

 Thanks for reading,

 Liz

Songs: Bell, Book and Candle - Eddi Reader - 1998

Patience of Angels - Eddi Reader - 1994

Perfect - Fairground Attraction - 1988

Is This Love? - Alison Moyet - 1986

A night with The Kennedys

 Hello dear readers!

 You may have read my interview a couple of months ago with folk-rock duo The Kennedys; well, on Sunday 2nd June I was lucky enough to attend their concert in Saltaire, Yorkshire.

 It was a gorgeous summer's evening as my dad and I arrived in Saltaire and found Caroline Social Club.

 Inside the club I was surprised: the live room was smaller than I had expected, and candles sat on all the tables. It created a lovely ambience and we were just a few metres away from the performers which made the show feel much more intimate.

 Maura and Pete Kennedy very kindly spoke to me before the show and asked if I had any requests and I put one in for Listen, a song I love.

 One thing I regret is not requesting another song or two - partly because I was somewhat starstruck and my mind went blank, and partly because the other few songs I might have asked for were ones I thought there was a chance they might do anyway.

 Some they did, some they didn't, but they performed two fantastic sets that contained many of my favourites as well as some songs I hadn't heard before and fell in love with.

 Before The Kennedys came on stage we were treated to an opening set by Pip Mountjoy, an up-and-coming English folk singer, which I really enjoyed. She mentioned that she sews her EP covers - I was intrigued by this so looked them up; they are truly beautiful and I applaud her for such an original idea.

 The Kennedys then came on stage and went straight into what is in my humble opinion their masterwork: Life is Large; an incredible, uplifting song. They then performed a first set made up of classics, songs from their latest album, Closer Than You Know, and requests, including mine, Listen. 

 I had never heard Listen performed live so I hadn't heard the story behind it; that Maura wrote it as a metaphor for life and living in the moment. Knowing the story behind the song makes it mean even more to me now, and overall it was an incredibly special few minutes for me.

 Another song whose inclusion made me very happy was When I Go by Dave Carter; I found out that in fact they like to perform a Dave Carter song at every show to allow more people to hear and appreciate his music. 

 I listen to the recorded version of this a lot, but seeing it live was something very rare and almost magical; as Maura sang she seemed to be so in tune to the song, the lyrics; almost devoted - not in a religious way; more simply at one with the song and its depiction of life, nature, death and spirituality. 

 After the last strum from Pete I think everyone held their breath for a moment, afraid to clap too soon and break the beauty and magic of this moment. It was something I feel honoured to have been a part of.

 The second set seemed to me to be slightly more experimental, with songs I hadn't heard them perform before - covers of Bob Dylan, The Byrds and Buddy Holly (their first date was at Buddy Holly's grave).

 Pete also played some stunning guitar and ukulele solos; he is a brilliant guitarist and it was really something to see such a master at work, doing what he loves. Like Maura singing When I Go, he seemed completely tuned in to something powerful, lost to everything but the beautiful sounds he was creating. It was another very special part of the evening.

 The Kennedys ended the show with Not Fade Away by Buddy Holly. I hadn't heard the original at the time and having listened to it since, I much prefer The Kennedys' version. It was electric, dynamic - simple bursting with energy and passion. It was the perfect end to the show, and stayed in my head for days afterwards.

 They came back out to do an encore, and performed Stand, another of their songs that I like and might have requested. 

 Again, the anecdote attached - that they wanted to create a non-exclusive gospel song - really added to the experience of hearing and seeing the song performed. After the wonderful delirium of Not Fade Away, Stand was a calmer, more spiritual note to end on.

 At the end of the evening I got their album Stand; I hope to listen to it through soon and post a review on this blog, so watch this space. Its opening track, Dharma Cafe, is one of the songs they performed tonight that I hadn't heard before but that I really liked and kept singing to myself afterwards.

 I also had to have a quick photo with Pete and Maura - I would have liked to stay and chat a bit more with them and with other Kennedys fans at the venue but sadly I had an exam the next morning and had to dash off.

 However, I had an amazing evening and I must stress how kind and down-to-earth Pete and Maura are at concerts: you can go to a great show and really enjoy it and leave afterwards without having seen the performer and it still be a great night out, so imagine all that but with performers who are willing to mingle with their guests, take requests, chat about the show... 

 Seeing the Kennedys live is more an experience than merely a show, and I am very grateful to have had that experience. I hope they retain their down-to-earthness - I have no reason to believe they won't - and that I can see them live many more times in the future.

 Thanks for reading,

 Liz x

Songs: 

Listen - The Kennedys - 2005

When I Go - The Kennedys - 2003

Review: The Kennedys - Closer Than You Know

 I am going to review Closer Than You Know by US folk/rock duo The Kennedys, first released in late 2012. Being a Kennedys fan, I had high expectations for this album, and it didn't disappoint. I'm going to take you through the album track by track, and then give my final verdict. Enjoy!

1) Winter - This song struck me immediately as quite different to other Kennedys songs; it has a dark, haunting feel to it and sounds more heavily produced than their other songs.

 Maura's voice sounds as though it has been put through a synthesiser which normally I would object to as it is beautiful without; however here it adds to the the mysterious feel of the song, creating a very powerful overall effect.

 It's intense; a song you can get lost in. A good opening track that takes you by surprise and makes you wonder what is still to come in this album.

2) Rhyme and Reason - I heard somewhere that this album had some jazz influence; I feel that in this song it is most apparent. Certainly has a jazzy feel to it, a nice melody and some particularly nice vocals from Maura.

 Something about it reminds me of Tumble and Fall by Nanci Griffith, a song I love. Rhyme and Reason is not my favourite track on the album personally, but nonetheless a good, well-crafted song.

3) I'll Come Over - This was the first song from this album that I heard - way back in early 2012 when I saw The Kennedys in concert for the first time. I liked it then and it has really grown on me.

 Hearing the story behind it; that Maura wrote the lyrics for friends who were going through a tough time, makes it even more poignant. Beautiful lyrics, beautifully sung, with real emotion.

4) Cradle to a Boat - Not one of my stand-out tracks on the album, but a good song with some interesting lyrics, nice Spanish-style guitar work; certainly has its own ambiance. It seemed to finish very suddenly for me; I could have listened to another verse and chorus to try to better understand this unusual song.

5) Sigh - One of my favourite songs on the album. This could very easily have been a kitsch ballad, but Pete and Maura have managed to avoid that, and have instead produced a sophisticated, moving song that does exactly what I imagine it was intended to do - make you feel a bit better when you are feeling sad. Every bit of this song is gorgeous.

6) Home - I wasn't keen on this song at first, but it has grown on me somewhat; it has the same mysterious, haunting feeling as Winter and Cradle to a Boat.

 It's a song I'd have to listen to in the right frame of mind; if I were feeling down then the sadness of the song probably wouldn't help! But it's an interesting song; one I'll have to listen to again to try to understand the meaning behind the lyrics.

7) Marina Dream - This isn't the song I was expecting; Marina Dream sounds - well, dreamy and relaxing. Instead, this is fast, urgent; like an epic from the middle ages. I like it.

8) Made of Sand - Certainly the most rock-orientated track on the album, this song of Maura's has nice lyrics, and her voice goes incredibly well with the beat... I'm very jealous of her ability to sing equally wonderfully on folk and rock tracks.

9) Big Star Song - I really like this. I listened to a few Big Star songs in preparation for reviewing this track, as I wondered if it was meant to sound like one. My conclusion is that it sounds more like a Kennedys song, which can never be a bad thing!

 I could go on and on about Maura's vocals on any song and have tried to avoid doing so as it would become very repetitive. However, I feel this song deserves special mention. When she sings, "... the days are longer, maybe he'd have held on," and then on "lost in time," her voice is particularly gorgeous.

 Whether this song is a straight tribute to Alex Chilton or a love song combined with an Alex Chilton tribute I'm not sure, but it is certainly very beautiful and is probably one of the two songs on this album I've listened to most, the other being the next track I am about to discuss: Wild Honey.

 10) Wild Honey - This is The Kennedys' take on the U2 song; having U2 fan parents I probably heard the original once but had forgotten it when I heard the Kennedys' version, and it blew me away.

 I subsequently listened to the U2 version, and I probably prefer the Kennedys' one. However, I'm not going to launch into comparisons; I'm simply going to talk from now on about the Kennedys version as a song in its own right.

 I love the guitar work; the intro is lovely, as are the vocals, especially on "wild, wild, wild..." I think this song suits Maura's voice and the Kennedys have done a great job of making the song their own despite not straying that far from the original. Lovely song and perhaps my favourite on the album.

11) Happy Again - Like I'll Come Over and Sigh, this song seeks to comfort those in pain or sadness, and includes the album title, "closer than you know." It's a good song, perhaps not one of my favourites, but it's clear that the lyrics come straight from the heart.

12) Winter Lies - The album began with a song about winter and ends with one. Winter Lies is slow, almost like a poem, full of wintry imagery. It'a very different from the rest of the tracks, but provides a peaceful finish to the album.

 Overall, I really enjoyed this album; it follows a number of different directions, from the jazzy Rhyme and Reason to the rocky Made of Sand to the folksy Wild Honey. Sigh is the high point for me musically; I think it is one of the Kennedys' best songs.

 According to the album cover Maura wrote all of the lyrics for this album (besides Wild Honey) and I applaud her, as there are some very nice ones, particularly in Cradle for a Boat, Made of Sand and the aforementioned Sigh.

 As always, Pete's guitar playing and arrangements are superb, and Maura's voice is stunning. This album has all you would expect from the Kennedys, which added to the diversity of musical styles makes Closer Than You Know a very strong release.

 Rating: 8/10