Hello, readers!
You may remember that I have been to two Nanci Griffith tribute concerts in Southport - one in 2013 and one in 2014. Both times, Edwina Hayes was present and I had the privilege of hearing her beautiful and unique voice. Both times, I also met her - last time, I literally ran into her - and she was lovely.
So, it is a great pleasure to be able to listen to and review her album Pour Me a Drink. Released in 2008, it is Edwina's second solo album.
I must begin by commenting on its beautiful artwork: it is incredibly pretty and I feel that the blossoms decorating both the cover and some of the inside pages of the sleeve represent the album really well: the songs are soft, delicate and fragile like blossoms, yet also very strong, as is a cherry tree.
The album opens with Run, a rather dark, sad song which I personally would not have chosen as an opener but which is very good nonetheless. The next track is one of my favourites, Leave a Light on for You, which is simple but very sweet and for me is reminiscent of a Nanci Griffith song.
Season of Love is more bluegrass and I like it, especially the chorus.Very American-sounding. Call Me flows in the same vein as Leave a Light on for You and is similarly sweet and delicate. One of several songs on the album written by Edwina alone rather than in collaboration, it is a good example of her song writing - a simple but beautiful song about a never-ending love.
The title track, which I saw Edwina perform live in Southport, is slow and haunting and very sad. It's followed by her take on the traditional Froggie Went a Courting, which is smooth and pleasant to listen to and has a happy ending!
Edwina's cover of Randy Newman's Feels Like Home is the first song I heard her sing, due to its use in the film version of My Sister's Keeper. It also became very important to me when I moved from one University hall of residence to another and felt much more at home in the second one. I kept playing this song in my head and I now associate it with that time.
It is a marvel in that it manages to be smooth and very easy on the ear while being extremely raw and emotional. It is probably still my absolute favourite of her songs, although I have discovered several new favourites on this album.
The album ends with Irish Waltz, a lovely piece that sounds genuinely like it could have been written centuries ago in Ireland unlike certain other modern pieces designed to sound so that don't. Edwina's voice is always lovely but here it is divine, and Jack McKeague's guitar work and especially his dobro work are stunning. It is a wonderful end to the album.
I enjoyed this album. While most of the songs are quite similar in that they are simple, delicate love songs with an acoustic guitar, each one does create its own unique ambience. Edwina's guitar work is very nice and her voice is gorgeous.
As a writer, one measure of what I think is a good song is one that I would use in a film of one of my books. I would certainly consider this for both Leave a Light on for You and Edwina's version of Feels Like Home (although the latter has already been done).
Overall, a lovely album and one which I am sure I will listen to a great deal.
Rating: 8/10
Thanks for reading,
Liz x
Hello! As you may have guessed from the name of this blog, my name is Liz and I am fascinated by song lyrics. I hope you enjoy my waxing lyrical about lyrics and about music generally. I also review albums and gigs and have interviewed several wonderful musicians. Enjoy!
Showing posts with label Pour me a drink. Show all posts
Showing posts with label Pour me a drink. Show all posts
Friday, 4 July 2014
Review: Edwina Hayes - Pour Me a Drink
Labels:
2000's,
2008,
acoustic,
album,
Americana,
ballad,
bluegrass,
British,
country,
Edwina Hayes,
Feels Like Home,
folk,
Pour me a drink,
review,
songs,
tracks,
UK,
voice,
write-up
Friday, 6 June 2014
A magical evening
Hello!
Firstly, a quick bit of news on the writing front: I have had a poem published in Ink, Sweat and Tears! It's a great honour.
Now to the real purpose of this post which is to tell you about the concert I attended in Southport on Wednesday night. You may remember I went to a Southport gig last September, and in many ways this one was similar, yet it was also completely different.
The venue was The Atkinson; the show was Nanci Griffith tribute show Trouble in the Fields, starring Pete and Maura Kennedy and Edwina Hayes - so far, so similar to September's show. However, this evening we also had the great pleasure of the company of Grateful Fred's House Band - Grateful Fred's also organised the evening.
My mother and I arrived in Southport by train and spent an interesting while searching for the venue - last time we came by car and it was a labyrinth reaching it from the station! However, we eventually found the beautiful place with its lovely fountains out the front, and climbed the stairs to the Studio.
This was where the show last year was, and I was glad they were there again as it is a nice, cosy little space; very nicely lit and with a real ambience.
The show opened with a set from Grateful Fred's House Band which I greatly enjoyed. Their haunting rendition of Ride On was certainly my highlight; it was sublime, especially the guitar work.
The Kennedys then came on stage (and Maura very nicely gave me a shout-out) to play a short set of their own songs. I was pleased to hear Midnight Ghost, one of my favourites, as well as some brilliant-as-always guitar and uke work from Pete.
After a short break, the Kennedys returned for the Nanci Griffith tribute set, and after several songs were joined by Edwina Hayes.
Having two such stunning voices as Edwina's and Maura's on the same stage was always going to be very special, and they also work incredibly well together - they harmonise beautifully.
The trio just worked so well, and I am glad someone had the idea of them performing together - it really is something incredible that feels like it was destined to happen.
Every song was a joy, but if I had to choose a few highlights, I would have to include Gulf Coast Highway, which I had been really hoping they would do because I adored it in September. I love the original song but the Kennedys' version may well top that for me.
Also especially memorable were their versions of Lone Star State of Mind, Late Night Grand Hotel and I'm Not Driving These Wheels.
Finally, I was very moved by A Light Beyond These Woods, a song which is special to me and to which they truly did justice, and Across the Great Divide, which I cannot hear and see the Kennedys perform without remembering them doing so twenty years ago with Nanci on Jools Holland.
Firstly, a quick bit of news on the writing front: I have had a poem published in Ink, Sweat and Tears! It's a great honour.
Now to the real purpose of this post which is to tell you about the concert I attended in Southport on Wednesday night. You may remember I went to a Southport gig last September, and in many ways this one was similar, yet it was also completely different.
The venue was The Atkinson; the show was Nanci Griffith tribute show Trouble in the Fields, starring Pete and Maura Kennedy and Edwina Hayes - so far, so similar to September's show. However, this evening we also had the great pleasure of the company of Grateful Fred's House Band - Grateful Fred's also organised the evening.
***
My mother and I arrived in Southport by train and spent an interesting while searching for the venue - last time we came by car and it was a labyrinth reaching it from the station! However, we eventually found the beautiful place with its lovely fountains out the front, and climbed the stairs to the Studio.
This was where the show last year was, and I was glad they were there again as it is a nice, cosy little space; very nicely lit and with a real ambience.
***
The show opened with a set from Grateful Fred's House Band which I greatly enjoyed. Their haunting rendition of Ride On was certainly my highlight; it was sublime, especially the guitar work.
***
The Kennedys then came on stage (and Maura very nicely gave me a shout-out) to play a short set of their own songs. I was pleased to hear Midnight Ghost, one of my favourites, as well as some brilliant-as-always guitar and uke work from Pete.
***
After a short break, the Kennedys returned for the Nanci Griffith tribute set, and after several songs were joined by Edwina Hayes.
Having two such stunning voices as Edwina's and Maura's on the same stage was always going to be very special, and they also work incredibly well together - they harmonise beautifully.
The trio just worked so well, and I am glad someone had the idea of them performing together - it really is something incredible that feels like it was destined to happen.
Every song was a joy, but if I had to choose a few highlights, I would have to include Gulf Coast Highway, which I had been really hoping they would do because I adored it in September. I love the original song but the Kennedys' version may well top that for me.
Also especially memorable were their versions of Lone Star State of Mind, Late Night Grand Hotel and I'm Not Driving These Wheels.
Finally, I was very moved by A Light Beyond These Woods, a song which is special to me and to which they truly did justice, and Across the Great Divide, which I cannot hear and see the Kennedys perform without remembering them doing so twenty years ago with Nanci on Jools Holland.
It is so lovely how the song has stayed around for twenty years, and has continued touching hearts. I have no doubt it will be around for another twenty.
***
The show ended with Grateful Fred's House Band joining the trio on stage and everyone playing together, and it was a truly wonderful, joyful and memorable spectacle. They worked brilliantly together - their version of Full Circle made a fabulous finale.
***
After the show I ran into Edwina who was absolutely lovely and then I had nice chats with both Kennedys.
I have mentioned many times before how down-to-earth and friendly Pete and Maura are, but I feel I should mention it again. It is very rarely that you come across two people who are so successful and popular, yet are willing to chat and laugh and mingle with their fans - who are not just willing, in fact, but seem to take huge pleasure in doing so.
I came away with Edwina's album Pour Me a Drink, featuring Feels Like Home, a song with great emotional significance for me, as well as the Kennedys' Dance a Little Closer: a live album of them performing Nanci songs. I hope to post reviews of both on this blog in due course.
As my mother and I rushed to the train station through the dark night with its light, misty rain and cool wind, I felt very, very happy - and I felt even more so when, sitting on the train, I discovered the lovely things the Kennedys and Edwina had written on my signed albums.
***
Thank you to everyone involved in this night, it really was a night in a million.
Thanks for reading,
Liz x
PS. If you like the Kennedys or want to learn more about them, I have done an interview with them, an album review and a write-up of a show of their own songs they did in the UK last June.
Song: Across the Great Divide - Nanci Griffith - 1993
Labels:
2014,
Atkinson,
bluegrass,
country,
Dance a Little Closer,
Edwina Hayes,
folk,
Grateful Fred's,
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Kennedys,
Maura,
Nanci Griffith,
Pete,
Pour me a drink,
rock,
roots,
Trouble in the Fields,
UK,
US,
voice
Thursday, 27 March 2014
Feels Like Home
There has been a fairly big development in my life, in that I have moved to a new University hall of residence.
There were various reasons behind the move which I won't go into. What I will say is that I settled into my new hall really quickly - even on the first day I felt that I was home. This song kept playing in my head:
That was last Wednesday - eight days ago. It feels like so much longer. I feel as though I've been living here for a long, long time. I already know a large number of the hall's residents, and I have made some wonderful friends. It's safe to say that I'm very happy here.
Long live my new home, and may many happy times be ahead of me here.
Thanks for reading.
Liz x
Song: Feels Like Home - Edwina Hayes - 2008
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